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From the author of The Moonstone and The Woman in White comes another gripping Victorian sensation novel. A sinister Countess is driven mad by a dark secret. An innocent woman is made the instrument of retribution. A murdered man's fury reaches beyond the grave. When Countess Narona marries Agnes Lockwood's fiancé and takes him to live in a rundown Venetian palace, strange things start happening, a servant mysteriously vanishes, and the husband dies a recluse. But the dead won't rest. When the palace is transformed into a hotel the two women are drawn to its chambers, where a force stronger than death is waiting to wreak its vengeance ...…mehr

Produktbeschreibung
From the author of The Moonstone and The Woman in White comes another gripping Victorian sensation novel. A sinister Countess is driven mad by a dark secret. An innocent woman is made the instrument of retribution. A murdered man's fury reaches beyond the grave. When Countess Narona marries Agnes Lockwood's fiancé and takes him to live in a rundown Venetian palace, strange things start happening, a servant mysteriously vanishes, and the husband dies a recluse. But the dead won't rest. When the palace is transformed into a hotel the two women are drawn to its chambers, where a force stronger than death is waiting to wreak its vengeance ...
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Autorenporträt
William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist and playwright known especially for The Woman in White (1859), a mystery novel and early "sensation novel", and for The Moonstone (1868), which has been proposed as the first modern English detective novel. Born to the London painter William Collins and his wife, he moved with them to Italy when he was twelve, living there and in France for two years, learning both Italian and French. He worked initially as a tea merchant. After Antonina, his first novel, appeared in 1850, Collins met Charles Dickens, who became a friend and mentor. Some of his work appeared in Dickens's journals Household Words and All the Year Round. They also collaborated on drama and fiction. Collins gained financial stability and an international following by the 1860s, but became addicted to the opium he took for his gout, so that his health and writing quality declined in the 1870s and 1880s.