The History of British Women's Writing, 1830-1880
117,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 6-10 Tagen
payback
59 °P sammeln
  • Gebundenes Buch

This volume charts the rise of professional women writers across diverse fields of intellectual enquiry and through different modes of writing in the period immediately before and during the reign of Queen Victoria. It demonstrates how, between 1830 and 1880, the woman writer became an agent of cultural formation and contestation, appealing to and enabling the growth of female readership while issuing a challenge to the authority of male writers and critics. Of especial importance were changing definitions of marriage, family and nation, of class, and of morality as well as new conceptions of…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
This volume charts the rise of professional women writers across diverse fields of intellectual enquiry and through different modes of writing in the period immediately before and during the reign of Queen Victoria. It demonstrates how, between 1830 and 1880, the woman writer became an agent of cultural formation and contestation, appealing to and enabling the growth of female readership while issuing a challenge to the authority of male writers and critics. Of especial importance were changing definitions of marriage, family and nation, of class, and of morality as well as new conceptions of sexuality and gender, and of sympathy and sensation. The result is a richly textured account of a radical and complex process of feminization whereby formal innovations in the different modes of writing by women became central to the aesthetic, social, and political formation of British culture and society in the nineteenth century.
Autorenporträt
Lucy Hartley is Professor of English at the University of Michigan, USA. She is the author of two books, Physiognomy and the Meaning of Expression in Nineteenth-Century Culture (2001) and Democratising Beauty in Nineteenth-Century Britain: Art and the Politics of Public Life (2017), as well as numerous articles on the political and aesthetic dimensions of nineteenth-century British culture.