The History Of Painting In Italy - Lanzi, Luigi; Roscoe, Thomas
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute…mehr

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Autorenporträt
Luigi Lanzi (1732-1810) was an Italian art historian and archaeologist. He studied Italian painting and Etruscan antiquities and language. In the one field his labors are represented by his Storia Pittorica dell' Italia, the first portion of which, containing the Florentine, Sienese, Roman and Neapolitan schools, appeared in 1792, the rest in 1796. In archaeology his great achievement was Saggio di lingua Etrusca (1789), followed by Saggio delle lingue d' Italia in 1806. Among his other productions was an edition of Hesiod's Works and Days, with valuable notes, and a translation in terza rima. Begun in 1785, it was recast and completed in 1808. The list of his works closes with his Opere sacre, a series of treatises on spiritual subjects.