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1850. With illustrations on wood by the author. Vanity Fair is Thackeray's masterpiece, but he also showed great skill in writing historical fiction with fine attention to period manners and customs and a dispassionate sympathy for his character's actions. The History of Pendennis concerns a young man of moderate status and his pursuit of wealth and happiness who becomes distracted by women and partying when he should be studying at university. See other titles by this author available from Kessinger Publishing.
This scarce antiquarian book is a facsimile reprint of the original. Due to its
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Produktbeschreibung
1850. With illustrations on wood by the author. Vanity Fair is Thackeray's masterpiece, but he also showed great skill in writing historical fiction with fine attention to period manners and customs and a dispassionate sympathy for his character's actions. The History of Pendennis concerns a young man of moderate status and his pursuit of wealth and happiness who becomes distracted by women and partying when he should be studying at university. See other titles by this author available from Kessinger Publishing.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Autorenporträt
William Makepeace Thackeray (1811 - 1863) was a British novelist and author. He is known for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. Thackeray began as a satirist and parodist, writing works that displayed a sneaking fondness for roguish upstarts such as Becky Sharp in Vanity Fair and the title characters of The Luck of Barry Lyndon and Catherine. In his earliest works, written under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh and George Savage Fitz-Boodle, he tended towards savagery in his attacks on high society, military prowess, the institution of marriage and hypocrisy.