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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute…mehr

Produktbeschreibung
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Autorenporträt
Lucas Malet (1852-1931) was the pseudonym of Mary St Leger Kingsley, a Victorian novelist. Of her novels, The Wages of Sin and The History of Sir Richard Calmady were especially popular. Malet's fin de siecle novels offer "detailed, sensitive investigations of the psychology of masochism, perverse desires, unconventional gender roles, and the body." Malet lived for most of her life on the Continent with the singer Gabrielle Vallings. Vallings, much younger than Malet, was the author's cousin, romantic companion and adopted daughter. The two traveled abroad frequently together, including spending significant time in France. Malet spent much of the end of her life in France where she was a part of "high literary circles." She wrote frequently during this time, often out of economic necessity. Despite her tremendous critical and economic success during the height of her career, Malet died in penury