Andere Kunden interessierten sich auch für
![Offices From the Service-Books of the Holy Eastern Church]( "Offices From the Service-Books of the Holy Eastern Church")
Offices From the Service-Books of the Holy Eastern Church27,99 €![Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality]( "Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality")
Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality42,99 €![Write Me a Few of Your Lines: A Blues Reader]( "Write Me a Few of Your Lines: A Blues Reader")
Write Me a Few of Your Lines: A Blues Reader43,99 €![The Death of Rhythm and Blues]( "The Death of Rhythm and Blues")
The Death of Rhythm and Blues22,99 €![Rap and the Eroticizing of Black Youth]( "Rap and the Eroticizing of Black Youth")
Rap and the Eroticizing of Black Youth12,99 €![Emerald Street]( "Emerald Street")
Emerald Street22,99 €![Bad and Boujee]( "Bad and Boujee")
Bad and Boujee17,99 €
The Holy Profane explores the strong presence of religion in the secular music of twentieth-century African artists as diverse as Rosetta Tharpe, Sam Cooke, Stevie Wonder, Marvin Gaye, Earth, Wind & Fire, and Tupac Shakur. Analyzing lyrics and the historical contexts that shaped those lyrics, Teresa L. Reed examines the link between West-African musical and religious culture and the way African Americans convey religious sentiment in styles ranging from blues, rhythm and blues, soul, funk, and gangsta rap.