Andere Kunden interessierten sich auch für
![Drama Queen]( "Drama Queen")
Drama Queen19,99 €![Climate Change as Social Drama]( "Climate Change as Social Drama")
Climate Change as Social Drama100,99 €![Is There Still Sex in the City?]( "Is There Still Sex in the City?")
Is There Still Sex in the City?23,99 €![Women Writers and the Early Modern British Political Tradition]( "Women Writers and the Early Modern British Political Tradition")
Women Writers and the Early Modern British Political Tradition103,99 €![Queer Fictions of the Past]( "Queer Fictions of the Past")
Queer Fictions of the Past126,99 €![The Unfinished Revolution]( "The Unfinished Revolution")
The Unfinished Revolution55,99 €![Same-Sex Marriage]( "Same-Sex Marriage")
Same-Sex Marriage102,99 €
This book is the first comprehensive account of homoeroticism in Renaissance drama. Mario DiGangi analyses the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theory. Each chapter focuses on the homoerotics of a major dramatic genre (Ovidian comedy, satiric comedy, tragedy and tragicomedy) and studies the ideologies and institutions it characteristically explores. DiGangi examines distinctions between orderly and disorderly forms of homoerotic practice in both canonical and unfamiliar texts. In these readings, the various proliferating forms of homoeroticism are indentified in relation to sodomy, against which there were cultural and legal prohibitions in the period. DiGangi's study illuminates, through a diverse range of plays, the centrality of homoerotic practices to household, court and city life in early modern England.
Table of contents:
Preface; 1. Introduction; 2. The homoerotics of marriage in Ovidian comedy; 3. The homoerotics of mastery in satiric comedy; 4. The homoerotics of favouritism in tragedy; 5. The homoerotics of masculinity in tragicomedy; Notes; Works cited; Index.
Mario DiGangi analyses the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theory.
This book is the first comprehensive account of homoeroticism in Renaissance drama.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Table of contents:
Preface; 1. Introduction; 2. The homoerotics of marriage in Ovidian comedy; 3. The homoerotics of mastery in satiric comedy; 4. The homoerotics of favouritism in tragedy; 5. The homoerotics of masculinity in tragicomedy; Notes; Works cited; Index.
Mario DiGangi analyses the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theory.
This book is the first comprehensive account of homoeroticism in Renaissance drama.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.