This book digs deep into English Renaissance culture to interrogate representations of horses in the period: it is argues that, ultimately, the horse was a byword for the subjugated and repressed: to be metaphorically like a horse in early modern England is to be bridled, tamed, and curbed.
This book digs deep into English Renaissance culture to interrogate representations of horses in the period: it is argues that, ultimately, the horse was a byword for the subjugated and repressed: to be metaphorically like a horse in early modern England is to be bridled, tamed, and curbed.
Acknowledgments and Preface i. Introduction Chapter One "Pricked More with the Spur then the Provender": Hungry Horses and Woodstock Chapter Two Agency and/or Containment? Man/Woman and Horse/Rider Relationships in Early Modern England Chapter Three Trampling on the Bald Pate: Morocco the Wonder Horse and the Humiliation of St Paul's Chapter Four Laying the World on Your Mare: the Corrupt Horse-Race in Shirley's Hide Parke Chapter Five Constructed Combatants: Political Steeds Before During and After the Civil Wars Conclusion Bibliography
Acknowledgments and Preface i. Introduction Chapter One "Pricked More with the Spur then the Provender": Hungry Horses and Woodstock Chapter Two Agency and/or Containment? Man/Woman and Horse/Rider Relationships in Early Modern England Chapter Three Trampling on the Bald Pate: Morocco the Wonder Horse and the Humiliation of St Paul's Chapter Four Laying the World on Your Mare: the Corrupt Horse-Race in Shirley's Hide Parke Chapter Five Constructed Combatants: Political Steeds Before During and After the Civil Wars Conclusion Bibliography
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