The House Of Correction - Lock, Norman
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A black comedy touched with absurdity and a philosophical bent that puts the torch to middle-class complacency. "…Lock's ideas lend tangy new flavor to an old form… HOUSE OF CORRECTION is first, last and always a superior mystery-comedy-thriller… He has written a fast moving, absurdist piece of neo-realistic suspense of the sort that works best only in the theater. It is a tribute to his talent…" Sylvie Drake, Los Angeles Times "…Norman Lock's treatment of the evils of psychotic schizophrenia versus the even more ugly aspects of pretentious armchair liberalism is nothing short of hilarious in…mehr

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Produktbeschreibung
A black comedy touched with absurdity and a philosophical bent that puts the torch to middle-class complacency. "…Lock's ideas lend tangy new flavor to an old form… HOUSE OF CORRECTION is first, last and always a superior mystery-comedy-thriller… He has written a fast moving, absurdist piece of neo-realistic suspense of the sort that works best only in the theater. It is a tribute to his talent…" Sylvie Drake, Los Angeles Times "…Norman Lock's treatment of the evils of psychotic schizophrenia versus the even more ugly aspects of pretentious armchair liberalism is nothing short of hilarious in this outing. It's offbeat and loony with a sitcom flare…" Teen., Daily Variety "…it's very funny, and very scary like a nightmare that wakes you up shaking, forcing you to reassess your life… Lock's weapon is words and he uses them well…his imagery is vivid, his dramatic momentum strong…" Tom Jacobs, L A Life "This is a delightfully dark, beautifully acted suspense comedy…a script that balances outrageous farce and human tragedy… It is Lock's gift for concocting eccentric characters and devilishly comic situations that propels the play." Downtown News (Los Angeles) "This rollercoaster of a play may well turn out to be one of the most significant new plays at this year's Fringe…a gripping, individualistic piece." The Stage (Edinburgh) "We are kept on the edge of our seats as events move toward a climax beyond expectation…makes us laugh our way up a mountain of suspense." The Scotsman "HOUSE OF CORRECTION moves from sitcom to Hitchcock, mingling the two so neatly that sometimes you don't know which you're watching." Naked (Edinburgh) "The play remains ingenious in identifying those essential American tenets and dragging them screaming and skewed to their conclusion." The Guardian (Edinburgh) "…entertaining but rigorous in its approach to important moral issues… This is the first chance for British audiences to see the 'absurdist comedy-thriller' that has played across America, but the questions it raises are bound to be relevant here as they are across the Atlantic." Glasgow and Edinburgh Events Guide
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Autorenporträt
Norman Lock has written novels and short fiction as well as stage, radio and screen plays. He received the 1979 Aga Kahn Prize, given by The Paris Review. He is a recipient of fellowships from the New Jersey Council on the Arts and from the Pennsylvania Council on the Arts-both for fiction-and, in 2011, for poetry from the National Endowment for the Arts. His latest prose works are the novels Shadowplay and The King of Sweden, published by Ellipsis Press and Ravenna Press, respectively, and the short-fiction collection Grim Tales, released this year in a new version by Mud Luscious Press. Shadowplay received the 2010 literary fiction prize, given by The Dactyl Foundation. Norman lives in Aberdeen, New Jersey, with his wife, Helen.