The role and impact of housing exhibitions in architectural cultureHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gaia Caramellino is assistant professor of architectural history at the Department of Architecture and Urban Studies, Politecnico di Milano. She is a member of the Board of the PhD in "Architecture. History and Project", Politecnico di Torino. Stéphanie Dadour is associate professor of history and theory of architecture at the École nationale supérieure d'architecture de Grenoble. She is a member of Laboratoire des Métiers de l'Histoire de l'Architecture (ENSAG) and of Laboratoire Architecture, Culture et Société (ENSA Paris-Malaquais UMR AUSser).
Inhaltsangabe
Acknowledgments Introduction: Exhibiting Housing GAIA CARAMELLINO & STÉPHANIE DADOUR PART 1 TRANSLATING MODELS AND CONCEPTS THROUGH HOUSING EXHIBITIONS Staged Interiors as Urban Spectacle: The Exhibitions New Homes (1920) and Form and Colour, an Exhibition of Spatial Art (1924), Oslo, Norway MATHILDE S. DAHL Curating the Collective House: The Popularization of a new Housing Model in 1930s Sweden EVA STORGAARD Living, Working, Playing: Ernö Goldfinger's Planning Exhibitions, 1943-46 ERIN MCKELLAR Between Tradition and Modernity: Making Housing Women's business. The Flat-Referendum, Salon des Arts Ménagers, Paris, 1959 STÉPHANIE DADOUR & LAETITIA OVERNEY Schooling the Eye in Modern Home Comforts: Spatial Concepts in the neues wohnen (new dwelling) Exhibition of 1949 JOHANNA HARTMANN PART 2 HOUSING EXHIBITIONS AS SITES OF MEDIATION Exhibition as Cultural Struggle: Domestic Architecture of the San Francisco Bay Region (1949), between the Question of Regionalism and the International Style JOSÉ PARRA-MARTÍNEZ & JOHN CROSSE Multiple Modernisms: Negotiating Housing Models and Discourses during the New Deal at MoMA, 1932-1944 GAIA CARAMELLINO The American House behind the Iron Curtain: Circulating Built in USA in the Eastern bloc LUDOVICA VACIRCA Housing Exhibitions in Croatia in the 1930s and 1950s - from the Subversive Critical Platform to the Vehicle of the New Ideology TAMARA BJAI¿ KLARIN Synthesizing "the problem of the home": The Buildings and Dwellings Pavilion at the Brussels World's Fair of 1958 FREDIE FLORÉ & RIKA DEVOS Illustration credits Index (People and Places) About the authors
Acknowledgments Introduction: Exhibiting Housing GAIA CARAMELLINO & STÉPHANIE DADOUR PART 1 TRANSLATING MODELS AND CONCEPTS THROUGH HOUSING EXHIBITIONS Staged Interiors as Urban Spectacle: The Exhibitions New Homes (1920) and Form and Colour, an Exhibition of Spatial Art (1924), Oslo, Norway MATHILDE S. DAHL Curating the Collective House: The Popularization of a new Housing Model in 1930s Sweden EVA STORGAARD Living, Working, Playing: Ernö Goldfinger's Planning Exhibitions, 1943-46 ERIN MCKELLAR Between Tradition and Modernity: Making Housing Women's business. The Flat-Referendum, Salon des Arts Ménagers, Paris, 1959 STÉPHANIE DADOUR & LAETITIA OVERNEY Schooling the Eye in Modern Home Comforts: Spatial Concepts in the neues wohnen (new dwelling) Exhibition of 1949 JOHANNA HARTMANN PART 2 HOUSING EXHIBITIONS AS SITES OF MEDIATION Exhibition as Cultural Struggle: Domestic Architecture of the San Francisco Bay Region (1949), between the Question of Regionalism and the International Style JOSÉ PARRA-MARTÍNEZ & JOHN CROSSE Multiple Modernisms: Negotiating Housing Models and Discourses during the New Deal at MoMA, 1932-1944 GAIA CARAMELLINO The American House behind the Iron Curtain: Circulating Built in USA in the Eastern bloc LUDOVICA VACIRCA Housing Exhibitions in Croatia in the 1930s and 1950s - from the Subversive Critical Platform to the Vehicle of the New Ideology TAMARA BJAI¿ KLARIN Synthesizing "the problem of the home": The Buildings and Dwellings Pavilion at the Brussels World's Fair of 1958 FREDIE FLORÉ & RIKA DEVOS Illustration credits Index (People and Places) About the authors
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