Celine Parreñas Shimizu

The Hypersexuality of Race

Performing Asian/American Women on Screen and Scene

• Broschiertes Buch

Produktbeschreibung

""The Hypersexuality of Race" promises to be an influential and perhaps notorious book. Refusing to shy away from the complexity of sexuality and its contradictory meanings, Celine Parrenas Shimizu does not distinguish between positive (or politically correct) and negative sex acts but rather situates Asian (American) women's expressions of sexuality in relation to racial formation, class consciousness, and other discourses of identity. She emphasizes context and contingency."--Peter X Feng, author of "Identities in Motion: Asian American Film and Video"

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Duke University Press
• Seitenzahl: 352
• Erscheinungstermin: 1. Juni 2007
• Englisch
• Abmessung: 224mm x 156mm x 25mm
• Gewicht: 486g
• ISBN-13: 9780822340331
• ISBN-10: 082234033X
• Artikelnr.: 22596449

Autorenporträt

Celine Parreñas Shimizu is Associate Professor of Asian American, Film, and Women’s Studies at the University of California, Santa Barbara. She is a filmmaker whose movies include The Fact of Asian Women (2002), which won four national festival awards; Super Flip (1997); and Her Uprooting Plants Her (1995).

Inhaltsangabe

Acknowledgments ix
1. The Hypersexuality of Asian/American Women: Toward a Politically
Productive Perversity on Screen and Scene 1
2. The Bind of Representation: Performing and Consuming Hypersexuality in
Miss Saigon 30
3. The Sexual Bonds of Racial Stardom: Asian American Femme Fatales in
Hollywood 58
4. Racial Threat or Racial Treat? Performing Yellowface Sex Acts in Stag
Films, 1920–34 102
5. Queens of Anal, Double, Trip, and the Gangbang: Producing Asian/American
Feminism in Pornography, 1940s–1990s 140
6. Sex Tourists with Movie Cameras and Prostitutes without Movie Cameras:
Politicizing the Bottom in Southeast Asian Sex Tourist Movies 185
7. The Political Power of Hypersexuality in Asian American Feminist Films
226
8. New Horizons in Race-Positive Sexuality 267
Notes 275
Bibliography 301
Index 325