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These short texts-aphorisms, maxims, meditations, notes, fragments-function as little philosophical essays which at times verge into the poetic and the literary, in an exploration of non-singular existence. Positioning history as a consequence of experiencing 'self', Haladyn proposes the possibility of a hypothetical philosophy that is manifest in what may be called 189 theses on the self.

Produktbeschreibung
These short texts-aphorisms, maxims, meditations, notes, fragments-function as little philosophical essays which at times verge into the poetic and the literary, in an exploration of non-singular existence. Positioning history as a consequence of experiencing 'self', Haladyn proposes the possibility of a hypothetical philosophy that is manifest in what may be called 189 theses on the self.
Autorenporträt
Julian Haladyn is an art historian, cultural theorist and Assistant Professor at OCAD University in Toronto, Canada. His writings on art and theory have appeared in numerous publications. He is the author of several books, including The Hypothetical (2020), Duchamp, Aesthetics, and Capitalism (2019), Aganetha Dyck: The Power of the Small (2017), Boredom and Art: Passions of the Will To Boredom (2014), and Marcel Duchamp: Étant donnés (2010). In addition, he is co-editor of Community of Images: Strategies of Appropriation in Canadian Art, 1977-1990 (with Janice Gurney 2022) and the Boredom Studies Reader (with Michael E. Gardiner 2016).