The I.B. Tauris Handbook of Iranian Cinema
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Erscheint vorauss. 28. November 2024
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"This Handbook includes new scholarship on the cinema of Iran. Chapters engage with the national and transnational history of Iranian cinema and cover a range of themes and concerns including cinema before and after the revolution, stylistic innovation, documentary, gender and genre. Contributors approach Iranian cinema via a range of disciplinary frameworks including Film Studies, Cultural Studies, Religion and Politics. Filmmakers discussed include: Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, Ida Panahandeh, Shahram Mokri, Marva Nabili and Ebrahim Golestan"--

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Produktbeschreibung
"This Handbook includes new scholarship on the cinema of Iran. Chapters engage with the national and transnational history of Iranian cinema and cover a range of themes and concerns including cinema before and after the revolution, stylistic innovation, documentary, gender and genre. Contributors approach Iranian cinema via a range of disciplinary frameworks including Film Studies, Cultural Studies, Religion and Politics. Filmmakers discussed include: Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, Ida Panahandeh, Shahram Mokri, Marva Nabili and Ebrahim Golestan"--
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Autorenporträt
Michelle Langford is Associate Professor of film studies at the University of New South Wales, Australia. Her research focuses on the cinemas of Iran and Germany. She is the author of Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance (2019) and has published on Iranian cinema in leading film studies journals including Camera Obscura, Screen and Screening the Past. Maryam Ghorbankarimi is Assistant Professor in film studies at Lancaster University, UK. She is the author of A Colourful Presence: The Evolution of Women's Representation in Iranian Cinema. Her edited volume on seminal Iranian filmmaker Rakhshan Banietemad, ReFocus: The Works of Rakhshan Banietemad was published in 2021. Her current research is on transnational cinema and culture, specifically the representation of gender and sexuality in Middle Eastern cinema. Zahra Khosroshahi is a postdoctoral fellow at the University of Toronto (SSHRC). She is currently working on her forthcoming monograph Iranian Women Filmmakers: A Cinema of Resistance. Zahra's research explores how film challenges systems of power, and how filmmaking specifically functions as a form of resistance in Iran. She completed her doctorate at the University of East Anglia, UK, working on prominent Iranian filmmaker Rakhshan Banietemad's cinema as a gateway into important discussions around gender, femininity, and the taboo.