The Ibero-American Baroque
Herausgeber: de Alba-Koch, Beatriz
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The Ibero-American Baroque
Herausgeber: de Alba-Koch, Beatriz
- Gebundenes Buch
The Ibero-American Baroque is an interdisciplinary, empirically-grounded contribution to the understanding of cultural exchanges in the early modern Iberian world.
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The Ibero-American Baroque is an interdisciplinary, empirically-grounded contribution to the understanding of cultural exchanges in the early modern Iberian world.
Produktdetails
- Produktdetails
- Toronto Iberic
- Verlag: University of Toronto Press
- Seitenzahl: 354
- Erscheinungstermin: 7. Februar 2022
- Englisch
- Abmessung: 226mm x 157mm x 30mm
- Gewicht: 694g
- ISBN-13: 9781442648838
- ISBN-10: 144264883X
- Artikelnr.: 61441440
- Toronto Iberic
- Verlag: University of Toronto Press
- Seitenzahl: 354
- Erscheinungstermin: 7. Februar 2022
- Englisch
- Abmessung: 226mm x 157mm x 30mm
- Gewicht: 694g
- ISBN-13: 9781442648838
- ISBN-10: 144264883X
- Artikelnr.: 61441440
Edited by Beatriz de Alba-Koch
Acknowledgments
Figures
Introduction: The Ibero-American Baroque as the First Global Culture
Beatriz de Alba-Koch
Part 1. Painting, Sculpture, and Other Arts
1. Transfers, Encounters, Innovations: The Church of the Third Order of
Saint Francis of Penance in Ouro Preto
Luís de Moura Sobral
2. The Elevation of the Genre of "Shrine Paintings" in Peru
Evonne Levy
3. Baroque Reliquaries and Automatons as Representations of Eternal Life
Enrique Fernández
4. Marian Sculpture in Baroque Portuguese America
Maria Beatriz de Mello e Souza
Part 2. Architecture
5. Presence and Absence: The Holy House of Loreto in Ibero-America
Clara Bargellini
6. From Intimate to Infinite Presence: The Camarín at Tepotzotlán
Ricardo Castro
7. Passion in Motion: The Way of the Cross as Performance in New Spain
Alena Robin
Part 3. Music
8. Music in Processions at the Jesuit Reducciones of Moxos and Chiquitos in
Bolivia
Piotr Nawrot
9. Neapolitan Technology and Galant Style in a Novohispano Context: Eight
Concerted Responsories by Ignacio Jerusalem
Lucero Enríquez Rubio
10. The Resonance of Sor Juana’s Villancicos in Spanish Cathedral Archives
Aurelio Tello
Part 4. Textual Continuities and Change
11. Emblems and Wit in the Hispanic Baroque according to Baltasar Gracián
Pablo Restrepo-Gautier
12. The Baroque as Paradox: Novelty and Printed Courtly Sermons in
Seventeenth- and Eighteenth-Century New Spain
Perla Chinchilla Pawling
13. The Literary Dream in Querétaro: A Baroque Genre and Enlightenment
Ideals in New Spain
Beatriz de Alba-Koch
Bibliography
Contributors
Figures
Introduction: The Ibero-American Baroque as the First Global Culture
Beatriz de Alba-Koch
Part 1. Painting, Sculpture, and Other Arts
1. Transfers, Encounters, Innovations: The Church of the Third Order of
Saint Francis of Penance in Ouro Preto
Luís de Moura Sobral
2. The Elevation of the Genre of "Shrine Paintings" in Peru
Evonne Levy
3. Baroque Reliquaries and Automatons as Representations of Eternal Life
Enrique Fernández
4. Marian Sculpture in Baroque Portuguese America
Maria Beatriz de Mello e Souza
Part 2. Architecture
5. Presence and Absence: The Holy House of Loreto in Ibero-America
Clara Bargellini
6. From Intimate to Infinite Presence: The Camarín at Tepotzotlán
Ricardo Castro
7. Passion in Motion: The Way of the Cross as Performance in New Spain
Alena Robin
Part 3. Music
8. Music in Processions at the Jesuit Reducciones of Moxos and Chiquitos in
Bolivia
Piotr Nawrot
9. Neapolitan Technology and Galant Style in a Novohispano Context: Eight
Concerted Responsories by Ignacio Jerusalem
Lucero Enríquez Rubio
10. The Resonance of Sor Juana’s Villancicos in Spanish Cathedral Archives
Aurelio Tello
Part 4. Textual Continuities and Change
11. Emblems and Wit in the Hispanic Baroque according to Baltasar Gracián
Pablo Restrepo-Gautier
12. The Baroque as Paradox: Novelty and Printed Courtly Sermons in
Seventeenth- and Eighteenth-Century New Spain
Perla Chinchilla Pawling
13. The Literary Dream in Querétaro: A Baroque Genre and Enlightenment
Ideals in New Spain
Beatriz de Alba-Koch
Bibliography
Contributors
Acknowledgments
Figures
Introduction: The Ibero-American Baroque as the First Global Culture
Beatriz de Alba-Koch
Part 1. Painting, Sculpture, and Other Arts
1. Transfers, Encounters, Innovations: The Church of the Third Order of
Saint Francis of Penance in Ouro Preto
Luís de Moura Sobral
2. The Elevation of the Genre of "Shrine Paintings" in Peru
Evonne Levy
3. Baroque Reliquaries and Automatons as Representations of Eternal Life
Enrique Fernández
4. Marian Sculpture in Baroque Portuguese America
Maria Beatriz de Mello e Souza
Part 2. Architecture
5. Presence and Absence: The Holy House of Loreto in Ibero-America
Clara Bargellini
6. From Intimate to Infinite Presence: The Camarín at Tepotzotlán
Ricardo Castro
7. Passion in Motion: The Way of the Cross as Performance in New Spain
Alena Robin
Part 3. Music
8. Music in Processions at the Jesuit Reducciones of Moxos and Chiquitos in
Bolivia
Piotr Nawrot
9. Neapolitan Technology and Galant Style in a Novohispano Context: Eight
Concerted Responsories by Ignacio Jerusalem
Lucero Enríquez Rubio
10. The Resonance of Sor Juana’s Villancicos in Spanish Cathedral Archives
Aurelio Tello
Part 4. Textual Continuities and Change
11. Emblems and Wit in the Hispanic Baroque according to Baltasar Gracián
Pablo Restrepo-Gautier
12. The Baroque as Paradox: Novelty and Printed Courtly Sermons in
Seventeenth- and Eighteenth-Century New Spain
Perla Chinchilla Pawling
13. The Literary Dream in Querétaro: A Baroque Genre and Enlightenment
Ideals in New Spain
Beatriz de Alba-Koch
Bibliography
Contributors
Figures
Introduction: The Ibero-American Baroque as the First Global Culture
Beatriz de Alba-Koch
Part 1. Painting, Sculpture, and Other Arts
1. Transfers, Encounters, Innovations: The Church of the Third Order of
Saint Francis of Penance in Ouro Preto
Luís de Moura Sobral
2. The Elevation of the Genre of "Shrine Paintings" in Peru
Evonne Levy
3. Baroque Reliquaries and Automatons as Representations of Eternal Life
Enrique Fernández
4. Marian Sculpture in Baroque Portuguese America
Maria Beatriz de Mello e Souza
Part 2. Architecture
5. Presence and Absence: The Holy House of Loreto in Ibero-America
Clara Bargellini
6. From Intimate to Infinite Presence: The Camarín at Tepotzotlán
Ricardo Castro
7. Passion in Motion: The Way of the Cross as Performance in New Spain
Alena Robin
Part 3. Music
8. Music in Processions at the Jesuit Reducciones of Moxos and Chiquitos in
Bolivia
Piotr Nawrot
9. Neapolitan Technology and Galant Style in a Novohispano Context: Eight
Concerted Responsories by Ignacio Jerusalem
Lucero Enríquez Rubio
10. The Resonance of Sor Juana’s Villancicos in Spanish Cathedral Archives
Aurelio Tello
Part 4. Textual Continuities and Change
11. Emblems and Wit in the Hispanic Baroque according to Baltasar Gracián
Pablo Restrepo-Gautier
12. The Baroque as Paradox: Novelty and Printed Courtly Sermons in
Seventeenth- and Eighteenth-Century New Spain
Perla Chinchilla Pawling
13. The Literary Dream in Querétaro: A Baroque Genre and Enlightenment
Ideals in New Spain
Beatriz de Alba-Koch
Bibliography
Contributors