The Illustrated Slave
Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852
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Analyses some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. Martha Cutter argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship.
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