The image of the woman in
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Knowing that feminism has long identified language as a primordial site of the manufacture of gender, and thus as a site of struggle, and knowing that language is thus not only the theater of feminist political interventions, but also a recurrent object of discussion, we will see that the author uses literature as a means of expressing her social and even political claims. The author and the narrator are women. From the title, we learn that the story is certainly that of the woman par excellence. To this end, in this article, we will try to demonstrate the specificity of the Moroccan female…mehr

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Produktbeschreibung
Knowing that feminism has long identified language as a primordial site of the manufacture of gender, and thus as a site of struggle, and knowing that language is thus not only the theater of feminist political interventions, but also a recurrent object of discussion, we will see that the author uses literature as a means of expressing her social and even political claims. The author and the narrator are women. From the title, we learn that the story is certainly that of the woman par excellence. To this end, in this article, we will try to demonstrate the specificity of the Moroccan female novel production through the author Touria Oulehri and her novel "La répudiée".
Autorenporträt
YAGOUB Fatima, MCB-Lehrerin an der Universität Relizane in Algerien. Geboren am 29-08-1965 unterrichtet französische Literatur für Bachelor- und Masterstudenten im Studiengang "Sprache und Kultur" und im Studiengang "Didaktik der angewandten Sprachen".