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An examination of the concepts of nothingness and freedom, both of which are derived from the ability of consciousness to imagine objects both as they are and as they are not - ideas that would drive Sartre's existentialism and entire theory of human freedom.
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An examination of the concepts of nothingness and freedom, both of which are derived from the ability of consciousness to imagine objects both as they are and as they are not - ideas that would drive Sartre's existentialism and entire theory of human freedom.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Classics
- Verlag: Routledge / Taylor & Francis
- Artikelnr. des Verlages: Y106284
- Seitenzahl: 242
- Erscheinungstermin: 12. März 2010
- Englisch
- Abmessung: 216mm x 140mm x 13mm
- Gewicht: 310g
- ISBN-13: 9780415567848
- ISBN-10: 041556784X
- Artikelnr.: 27995960
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Routledge Classics
- Verlag: Routledge / Taylor & Francis
- Artikelnr. des Verlages: Y106284
- Seitenzahl: 242
- Erscheinungstermin: 12. März 2010
- Englisch
- Abmessung: 216mm x 140mm x 13mm
- Gewicht: 310g
- ISBN-13: 9780415567848
- ISBN-10: 041556784X
- Artikelnr.: 27995960
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Jean-Paul Sartre (1905-80). The foremost French thinker and writer of the early post-war years. His books have exerted enormous influence in philosophy, literature, art and politics.
Notes on the Translation Part One: The Certain The Intentional Structure of the Image I. Description 1. The Method 2. First Characteristic: The Image is a Consciousness 3. Second Characteristic: The Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic: Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait, Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire, Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of the Word in the Mental Image 5. The Mode of Appearance of a Thing in the Mental Image Part Three: The Role of the Image in Psychic Life 1. The Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination 4. The Dream Conclusion 1. Consciousness and Imagination
Introduction Notes on the Translation Part One: The Certain The Intentional
Structure of the Image I. Description 1. The Method 2. First
Characteristic: The Image is a Consciousness 3. Second Characteristic: The
Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging
Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic:
Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait,
Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of
Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire,
Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and
Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to
Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon
in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of
the Word in the Mental Image 5. The Mode of Appearance of a Thing in the
Mental Image Part Three: The Role of the Image in Psychic Life 1. The
Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and
Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal
Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination
4. The Dream Conclusion 1. Consciousness and Imagination 2. The Work of Art
Structure of the Image I. Description 1. The Method 2. First
Characteristic: The Image is a Consciousness 3. Second Characteristic: The
Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging
Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic:
Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait,
Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of
Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire,
Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and
Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to
Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon
in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of
the Word in the Mental Image 5. The Mode of Appearance of a Thing in the
Mental Image Part Three: The Role of the Image in Psychic Life 1. The
Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and
Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal
Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination
4. The Dream Conclusion 1. Consciousness and Imagination 2. The Work of Art
Notes on the Translation Part One: The Certain The Intentional Structure of the Image I. Description 1. The Method 2. First Characteristic: The Image is a Consciousness 3. Second Characteristic: The Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic: Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait, Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire, Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of the Word in the Mental Image 5. The Mode of Appearance of a Thing in the Mental Image Part Three: The Role of the Image in Psychic Life 1. The Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination 4. The Dream Conclusion 1. Consciousness and Imagination
Introduction Notes on the Translation Part One: The Certain The Intentional
Structure of the Image I. Description 1. The Method 2. First
Characteristic: The Image is a Consciousness 3. Second Characteristic: The
Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging
Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic:
Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait,
Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of
Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire,
Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and
Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to
Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon
in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of
the Word in the Mental Image 5. The Mode of Appearance of a Thing in the
Mental Image Part Three: The Role of the Image in Psychic Life 1. The
Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and
Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal
Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination
4. The Dream Conclusion 1. Consciousness and Imagination 2. The Work of Art
Structure of the Image I. Description 1. The Method 2. First
Characteristic: The Image is a Consciousness 3. Second Characteristic: The
Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging
Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic:
Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait,
Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of
Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire,
Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and
Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to
Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon
in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of
the Word in the Mental Image 5. The Mode of Appearance of a Thing in the
Mental Image Part Three: The Role of the Image in Psychic Life 1. The
Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and
Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal
Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination
4. The Dream Conclusion 1. Consciousness and Imagination 2. The Work of Art