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Since independence Uganda has faced a number of civil wars and instabilities which have declined over the years. Most of public sculptures commemorate past events and tell the societal situations, therefore leading to the need to promote positive peace after the end of wars, injustice, inequality and disasters through depicting aspects like unity, integration, radical love, selflessness, internationalism, interdependence, openness, supportiveness, active coexistence, oneness and endurance. The book reflected on the public sculpture iconographic relevance to the positive peace paradigm and…mehr

Produktbeschreibung
Since independence Uganda has faced a number of civil wars and instabilities which have declined over the years. Most of public sculptures commemorate past events and tell the societal situations, therefore leading to the need to promote positive peace after the end of wars, injustice, inequality and disasters through depicting aspects like unity, integration, radical love, selflessness, internationalism, interdependence, openness, supportiveness, active coexistence, oneness and endurance. The book reflected on the public sculpture iconographic relevance to the positive peace paradigm and experiments the different ways through which the positive peace paradigm can be depicted in the public sculptures. This book helps to clarify the photographic information and document review, that there was little subject matter specifically directed to the aspects of the positive peace paradigm among the selected public sculptures.
Autorenporträt
Natumanya Patrick, Lecturer at Uganda Christian University, Faculty of Education and Arts.Education background - Master of Arts in Commercial Industrial Art and Design (November 2017), Nkumba University, Bachelor of Education - Fine Art double main (First class honors) February 2010, Uganda Christian University.