Disabled characters have been written with an assumption that they would be played by nondisabled actors. In this book, Jason B. Dorwart argues that a recent influx of disabled actors into the profession is changing the way that we reconcile the reality of disability with the fictional framing of performance.
Disabled characters have been written with an assumption that they would be played by nondisabled actors. In this book, Jason B. Dorwart argues that a recent influx of disabled actors into the profession is changing the way that we reconcile the reality of disability with the fictional framing of performance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Table of Contents Introduction Chapter One: Framing Disability, Disabling the Frame: The Permeable Aesthetic Distance of The Cripple of Inishmaan Chapter Two: Controlling Disability: Representations of the Elephant Man Chapter Three: Eliminating Disability: American Horror Story's Subtle Preference for Cripping Up Chapter Four: Reframing Disability: Live Performance and Countering the Incorporeal Corpse Chapter Five: Reviewing Disability: Public Taste at Play with Disability Studies Bibliography About the Author
Table of Contents Introduction Chapter One: Framing Disability, Disabling the Frame: The Permeable Aesthetic Distance of The Cripple of Inishmaan Chapter Two: Controlling Disability: Representations of the Elephant Man Chapter Three: Eliminating Disability: American Horror Story's Subtle Preference for Cripping Up Chapter Four: Reframing Disability: Live Performance and Countering the Incorporeal Corpse Chapter Five: Reviewing Disability: Public Taste at Play with Disability Studies Bibliography About the Author
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