The Instant Composers Pool and Improvisation Beyond Jazz contributes to the expansion and diversification of our understanding of the jazz tradition by describing the history and practice of one of the most important non-American jazz groups: The Instant Composers Pool, founded in Amsterdam in 1967.
The Instant Composers Pool and Improvisation Beyond Jazz contributes to the expansion and diversification of our understanding of the jazz tradition by describing the history and practice of one of the most important non-American jazz groups: The Instant Composers Pool, founded in Amsterdam in 1967.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Floris Schuiling is Postdoctoral Researcher, Department of Media & Culture, Utrecht University.
Inhaltsangabe
Introduction PART I: Beyond Jazz History Chapter 1. Performance Art and Ludic Countercultures Chapter 2. Genre Boundaries: The ICP and Jazz Chapter 3. Political Activism in Contemporary Music PART II: Beyond Jazz Practice Chapter 4. The Ontology of Instant Composition Chapter 5. Notation and Distributed Creativity Chapter 6. Antagonism, Resistance, and Humour Bibliography Index
Introduction / PART I: Beyond Jazz History / Chapter 1. Performance Art and Ludic Countercultures / Chapter 2. Genre Boundaries: The ICP and Jazz / Chapter 3. Political Activism in Contemporary Music / PART II: Beyond Jazz Practice / Chapter 4. The Ontology of Instant Composition / Chapter 5. Notation and Distributed Creativity / Chapter 6. Antagonism, Resistance, and Humour / Bibliography / Index
Introduction PART I: Beyond Jazz History Chapter 1. Performance Art and Ludic Countercultures Chapter 2. Genre Boundaries: The ICP and Jazz Chapter 3. Political Activism in Contemporary Music PART II: Beyond Jazz Practice Chapter 4. The Ontology of Instant Composition Chapter 5. Notation and Distributed Creativity Chapter 6. Antagonism, Resistance, and Humour Bibliography Index
Introduction / PART I: Beyond Jazz History / Chapter 1. Performance Art and Ludic Countercultures / Chapter 2. Genre Boundaries: The ICP and Jazz / Chapter 3. Political Activism in Contemporary Music / PART II: Beyond Jazz Practice / Chapter 4. The Ontology of Instant Composition / Chapter 5. Notation and Distributed Creativity / Chapter 6. Antagonism, Resistance, and Humour / Bibliography / Index
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