The International Recording Industries
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The recording industry has been a major focus of interest for cultural commentators throughout the twenty-first century. As the first major content industry to have its production and distribution patterns radically disturbed by the internet, the recording industry's content, attitudes and practices have regularly been under the microscope. This book attempts to offer a broader and less Anglocentric understanding of the recording industry. Seven detailed case studies of different national recording industries illustrate the idea that the recording industry is not one thing but is, rather, a…mehr

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Produktbeschreibung
The recording industry has been a major focus of interest for cultural commentators throughout the twenty-first century. As the first major content industry to have its production and distribution patterns radically disturbed by the internet, the recording industry's content, attitudes and practices have regularly been under the microscope. This book attempts to offer a broader and less Anglocentric understanding of the recording industry. Seven detailed case studies of different national recording industries illustrate the idea that the recording industry is not one thing but is, rather, a series of recording industries, locally organised and locally focused, both structured by and structuring the international industry.
Autorenporträt
Lee Marshall is a Senior Lecturer in Sociology at the University of Bristol. His research interests focus on popular music, intellectual property and celebrity. Previous publications include Bob Dylan: The Never Ending Star (Polity, 2007), Bootlegging: Romanticism and Capitalism in the Music Industry (Sage, 2005) and Music and Copyright (co-edited with Simon Frith, Edinburgh University Press, 2004).