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Frequently perceived as a characteristic of modern culture, the phenomenon of celebrity has much older roots. In this book Antoine Lilti shows that the mechanisms of celebrity were developed in Europe during the Enlightenment, well before films, yellow journalism, and television, and then flourished during the Romantic period on both sides of the Atlantic. Figures from across the arts like Voltaire, Garrick, and Liszt were all veritable celebrities in their time, arousing curiosity and passionate loyalty from their "fans." The rise of the press, new advertising techniques, and the marketing of…mehr

Produktbeschreibung
Frequently perceived as a characteristic of modern culture, the phenomenon of celebrity has much older roots. In this book Antoine Lilti shows that the mechanisms of celebrity were developed in Europe during the Enlightenment, well before films, yellow journalism, and television, and then flourished during the Romantic period on both sides of the Atlantic. Figures from across the arts like Voltaire, Garrick, and Liszt were all veritable celebrities in their time, arousing curiosity and passionate loyalty from their "fans." The rise of the press, new advertising techniques, and the marketing of leisure brought a profound transformation in the visibility of celebrities: private lives were now very much on public show. Nor was politics spared this cultural upheaval: Marie-Antoinette, George Washington, and Napoleon all experienced a political world transformed by the new demands of celebrity. And when the people suddenly appeared on the revolutionary scene, it was no longer enough to be legitimate; it was crucial to be popular too.

Lilti retraces the profound social upheaval precipitated by the rise of celebrity and explores the ambivalence felt toward this new phenomenon. Both sought after and denounced, celebrity evolved as the modern form of personal prestige, assuming the role that glory played in the aristocratic world in a new age of democracy and evolving forms of media. While uncovering the birth of celebrity in the eighteenth century, Lilti's perceptive history at the same time shines light on the continuing importance of this phenomenon in today's world.
Autorenporträt
Antoine Lilti is Professor of History at the École des Hautes Études en Sciences Sociales, Paris, and former editor-in-chief of the journal Annales.
Rezensionen
"Lilti's achievement is highly impressive. He provides a new perspective on the transformations of Western culture in the age of revolutions, and on the genesis of modern notions of selfhood and personal authenticity. And he reminds us that even as we laugh at contemporary celebrity culture, we need to take it seriously, and not merely as an excrescence or a pathology, but as a constituent element of political and cultural modernity."
David A. Bell, Princeton University

"With The Invention of Celebrity, Antoine Lilti has established himself as one of the most significant and talented historians of eighteenth-century France...It is an imaginative study, at once audacious and theoretically grounded, that establishes celebrity as an object of historical analysis and lays the groundwork for further studies of the phenomenon."
Colin Jones, Queen Mary University of London

"Exhaustively researched, with in-depth analysis, this book is not a light read, but is definitely an interesting read for those who have more than a passing curiosity for the history behind the rise of 'celebrity.'"
Feathered Quill Book Reviews

"Good history opens up sightlines not only to the past but to the present as well. It allows us to see aspects of our current circumstances as the product of developments that are deeper and richer than we knew... Antoine Lilti's The Invention of Celebrity is a book that does just that. A chronicle of the origins and development of our modern société du spectacle, it provides a genealogy of the media-driven world of celebrities and personalities who now dominate our headlines and crowd (out) our public debates."
Literary Review

"An original and seminal work of outstanding scholarship that is thoroughly 'reader friendly' in organization and presentation, "The Invention of Celebrity" is an impressively informative and insightful work that is enhanced with the inclusion of a section of full color illustrations, fifty-six pages of Notes, and a thirteen page Index."
Midwest Book Review
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