The invisible color
Language, titling and humor in Marcel Duchamp
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The relations between text, image and object, in Duchamp, despite being much studied, still keep secrets and this is what pursues this project, to dive into Marcel Duchamp's universe not yet identified at all, in this game of mirrors that resonates until today and possibly emerge with new connections, new senses, new answers but certainly new questions. In the certainty that Duchamp, when breaking the great glass of the art building, left clues on how to decipher his acts in each one of the mirrored fragments, scattered along the rubble.From the linguistic/artistic lever, Duchamp's perceptions...
The relations between text, image and object, in Duchamp, despite being much studied, still keep secrets and this is what pursues this project, to dive into Marcel Duchamp's universe not yet identified at all, in this game of mirrors that resonates until today and possibly emerge with new connections, new senses, new answers but certainly new questions. In the certainty that Duchamp, when breaking the great glass of the art building, left clues on how to decipher his acts in each one of the mirrored fragments, scattered along the rubble.From the linguistic/artistic lever, Duchamp's perceptions and interferences in the artistic making and the logic of his production were analyzed, in the search to understand Marcel Duchamp's relations with the systems configured by logical reason that shape human life and have language as fertile soil.
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