This is the first book to provide a full treatment of Shakespeare's literary and theatrical engagement with the Italian novella and female agency.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Melissa Emerson Walter is an associate professor in the Department of English at University of the Fraser Valley.
Inhaltsangabe
Illustrations Acknowledgements Introduction: Enclosure, Conversation, and Spaces of Authorship
1. Filomena’s Voice and Female Character in Shakespeare’s Early Italianate Comedies 2. Thinking Inside and Outside the Box: The Casket Test and Audience Response in The Merchant of Venice 3. The Trunk in Twelfth Night as Mobility Machine 4. Novellesque Domesticity and Impossible Places in The Merry Wives of Windsor 5. Reforming Civility in Measure for Measure 6. Rewriting the "ladies text": All’s Well that Ends Well 7. Seeing as Reading and Retelling in Cymbeline Conclusion Appendix Bibliography
Illustrations Acknowledgements Introduction: Enclosure, Conversation, and Spaces of Authorship
1. Filomena’s Voice and Female Character in Shakespeare’s Early Italianate Comedies 2. Thinking Inside and Outside the Box: The Casket Test and Audience Response in The Merchant of Venice 3. The Trunk in Twelfth Night as Mobility Machine 4. Novellesque Domesticity and Impossible Places in The Merry Wives of Windsor 5. Reforming Civility in Measure for Measure 6. Rewriting the "ladies text": All’s Well that Ends Well 7. Seeing as Reading and Retelling in Cymbeline Conclusion Appendix Bibliography
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