The Italian (1797) is a gripping tale of love and betrayal, abduction and assassination, and incarceration by the Inquisition. Radcliffe's last and most unnerving novel exemplifies her definition of 'terror' writing, combining Romantic and Gothic elements and influencing countless later writers.
The Italian (1797) is a gripping tale of love and betrayal, abduction and assassination, and incarceration by the Inquisition. Radcliffe's last and most unnerving novel exemplifies her definition of 'terror' writing, combining Romantic and Gothic elements and influencing countless later writers.
Nick Groom has published widely for both academic and popular readerships, with particular interest in questions of authenticity and the emergence of national and regional identity. His books include The Gothic (2012) for the Very Short Introductions series, The Union Jack: the Story of the British Flag (Atlantic, 2006), and The Seasons: an Elegy for the Passing of the Year (Atlantic, 2013). For Oxford World's Classics he has edited Walpole's The Castle of Otranto and Matthew Lewis's The Monk.
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Introduction Note on the Text Select Bibliography Chronology The Italian Explanatory Notes