This book explores how the Jewish ghetto engaged the sensory imagination of Venice in complex and contradictory ways to shape urban space and reshape Christian-Jewish relations.
This book explores how the Jewish ghetto engaged the sensory imagination of Venice in complex and contradictory ways to shape urban space and reshape Christian-Jewish relations.
Dana E. Katz is Joshua C. Taylor Associate Professor of Art History and Humanities at Reed College, Oregon. Her research explores representations of religious difference in early modern Italy, with a particular focus on Jewish-Christian relations. Katz is the author of The Jew in the Art of the Italian Renaissance (2008), as well as articles in The Art Bulletin, Art History, and Jewish History.
Inhaltsangabe
Introduction 1. Margins as laboratories of urban planning 2. Enclosures as topographies of vision 3. Windows as sites of visual disturbance 4. Walls as boundaries of the night Conclusion.
Introduction 1. Margins as laboratories of urban planning 2. Enclosures as topographies of vision 3. Windows as sites of visual disturbance 4. Walls as boundaries of the night Conclusion.
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