The Jolly Corner - James, Henry Jr.
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Henry James (1843 - 1916) was one of the leaders in the school of realism in fiction. He is known for his series of novels in which he portrayed the encounter of America with Europe. James is considered to be the master of the novel and novella. James wrote about personal relationships and the power within these relationships. James explored consciousness and perception from the point of view of a character within a tale. The Jolly Corner was first published in 1908 in The English Review. James describes the adventures of Spencer Brydon as he explores the empty New York house where he grew up.…mehr

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Produktbeschreibung
Henry James (1843 - 1916) was one of the leaders in the school of realism in fiction. He is known for his series of novels in which he portrayed the encounter of America with Europe. James is considered to be the master of the novel and novella. James wrote about personal relationships and the power within these relationships. James explored consciousness and perception from the point of view of a character within a tale. The Jolly Corner was first published in 1908 in The English Review. James describes the adventures of Spencer Brydon as he explores the empty New York house where he grew up. He encounters a "sensation more complex than had ever before found itself consistent with sanity." The Jolly Corner is the nickname he gave to his childhood home. Brydon begins to believe that his alter ego-the ghost of the man he might have been is haunting the house. The theme of unlived lives runs throughout the story.
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Autorenporträt
Henry James (1843 - 1916) was an American-born British writer. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction.