The Kama Sutra of Vatsyayana - V¿tsy¿yana
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The Kama Sutra (Sanskrit: ¿¿¿¿¿¿¿¿) is an ancient Indian Sanskrit text on sexuality, eroticism and emotional fulfillment in life. Attributed to V¿tsy¿yana, the Kama Sutra is neither exclusively nor predominantly a sex manual on sex positions, but written as a guide to the art of living well, the nature of love, finding a life partner, maintaining one's love life, and other aspects pertaining to pleasure-oriented faculties of human life. It is a sutra-genre text with terse aphoristic verses that have survived into the modern era with different bhasya (exposition and commentaries). The text is a…mehr

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Produktbeschreibung
The Kama Sutra (Sanskrit: ¿¿¿¿¿¿¿¿) is an ancient Indian Sanskrit text on sexuality, eroticism and emotional fulfillment in life. Attributed to V¿tsy¿yana, the Kama Sutra is neither exclusively nor predominantly a sex manual on sex positions, but written as a guide to the art of living well, the nature of love, finding a life partner, maintaining one's love life, and other aspects pertaining to pleasure-oriented faculties of human life. It is a sutra-genre text with terse aphoristic verses that have survived into the modern era with different bhasya (exposition and commentaries). The text is a mix of prose and anustubh-meter poetry verses. The text acknowledges the Hindu concept of Purusharthas, and lists desire, sexuality, and emotional fulfillment as one of the proper goals of life. Its chapters discuss methods for courtship, training in the arts to be socially engaging, finding a partner, flirting, maintaining power in a married life, when and how to commit adultery, sexual positions, and other topics. The majority of the book is about the philosophy and theory of love, what triggers desire, what sustains it, and how and when it is good or bad. The text is one of many Indian texts on Kama Shastra. It is a much-translated work in Indian and non-Indian languages. The Kamasutra has influenced many secondary texts that followed after the 4th-century CE, as well as the Indian arts as exemplified by the pervasive presence Kama-related reliefs and sculpture in old Hindu temples. Of these, the Khajuraho in Madhya Pradesh is a UNESCO world heritage site. Among the surviving temples in north India, one in Rajasthan sculpts all the major chapters and sexual positions to illustrate the Kamasutra. According to Wendy Doniger, the Kamasutra became "one of the most pirated books in English language" soon after it was published in 1883 by Richard Burton. This first European edition by Burton does not faithfully reflect much in the Kamasutra because he revised the collaborative translation by Bhagavanlal Indrajit and Shivaram Parashuram Bhide with Forster Arbuthnot to suit 19th-century Victorian tastes.
Autorenporträt
V¿tsy¿yana is the name of a Hindu philosopher in the Vedic tradition who is believed to have lived around 2nd century AD in India. His name appears as the author of the Kama Sutra. Hardly anything is known about him, although it is believed that his disciples went on his instructions, on the request of the Hindu Kings in the Himalayan range to influence the hill tribals to give up the pagan cult of sacrifices. He is said to have created the legend of Tara among the hill tribes as a tantric goddess. Later as the worship spread to the east Garo hills, the goddess manifest of a 'yoni' goddess Kamakhya was created. His interest in human sexual behavior as a medium of attaining spirituality was recorded in his treatise Kama Sutra. It is impossible to fix the exact date either of the life of Vatsyayana or of his work. It is believed that he must have lived between the 1st and 6th century AD, on the following grounds: He mentions that Satakarni Satavahana, a king of Kuntal, killed Malayevati his wife with an instrument called Katamari by striking her in the passion of love. Vatsyayana quotes this case to warn people of the danger arising from some old customs of striking women when under the influence of sexual passion. This king of Kuntal is believed to have lived and reigned during the 1st century AD, and consequently Vatsyayana must have lived after him. On the other hand, another author, Varahamihira, in the eighteenth chapter of his "Brihatsanhita," discusses of the science of love, and appears to have borrowed largely from Vatsyayana on the subject. Varahamihira is believed to have lived during the 6th century, and therefore Vatsyayana must have written his works before the 6th century.