The Keyboard in Baroque Europe

Herausgeber: Hogwood, Christopher

• Broschiertes Buch

Produktbeschreibung

Twelve of today's most distinguished scholar-performers offer essays on new and intriguing aspects of baroque keyboard music.

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Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 264
• Erscheinungstermin: 31. Oktober 2008
• Englisch
• Abmessung: 246mm x 189mm x 14mm
• Gewicht: 517g
• ISBN-13: 9780521102612
• ISBN-10: 0521102618
• Artikelnr.: 25856077

Inhaltsangabe

Part I. Seventeenth-Century Keyboard Music: 1. On Frescobaldi's recreation
of the Chaconne and the Passacaglia Alexander Silbiger; 2. Hanß Jacob
Froberger's travels 1649-1653 Rudolf Rasch; 3. New perspectives on Lynar A
1 Pieter Dirksen; 4. Creating the corpus: the 'Complete Keyboard Music' of
Henry Purcell Christopher Hogwood; Part II. The Early Eighteenth Century:
5. Towards a genealogy of the keyboard concerto John Butt; 6. Couperin,
Marpurg and Roeser: A Germanic Art de Toucher le Clavecin, or a French
Wahre Art? Davitt Moroney; Part III. The Bach Family: 7. Invention,
composition and the improvement of nature: apropos Bach the teacher and
practical philosopher Christoph Wolff; 8. Is there an anxiety of influence
discernible in J. S. Bach's Clavierübung I? Peter Williams; 9. 'Toward the
most elegant taste': developments in keyboard accompaniment from J. S. to
C. P. E. Bach David Schulenberg; 10 '... welche dem größten Concerte
gleichen': the polonaises of Wilhelm Friedemann Bach Peter Wollny; Part IV.
The Later Eighteenth Century: 11. Schnellen: a quintessential articulation
technique in eighteenth-century keyboard playing Menno van Delft; 12.
Mozart's non-metrical keyboard preludes Robert D. Levin; Part V. Musical
envoi: 13. J. S. Bach: Keyboard Partita in A Minor after BWV 1004 Lars
Ulrik Mortensen.