"Very genuine, though not without the typical mannered extravagance of the eighteen-nineties, is the strain of horror in the early work of Robert W. Chambers, since renowned for products of a very different quality. The King in Yellow, a series of vaguely connected short stories having as a background a monstrous and suppressed book whose perusal brings fright, madness, and spectral tragedy, really achieves notable heights of cosmic fear in spite of uneven interest and a somewhat trivial and affected cultivation of the Gallic studio atmosphere made popular by Du Maurier's Trilby. The most…mehr
"Very genuine, though not without the typical mannered extravagance of the eighteen-nineties, is the strain of horror in the early work of Robert W. Chambers, since renowned for products of a very different quality. The King in Yellow, a series of vaguely connected short stories having as a background a monstrous and suppressed book whose perusal brings fright, madness, and spectral tragedy, really achieves notable heights of cosmic fear in spite of uneven interest and a somewhat trivial and affected cultivation of the Gallic studio atmosphere made popular by Du Maurier's Trilby. The most powerful of its tales, perhaps, is The Yellow Sign, in which is introduced a silent and terrible churchyard watchman with a face like a puffy grave-worm's." -- From the Introduction by H.P. Lovecraft.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert W. Chambers (1865-1933) was a Brooklyn-born artist, illustrator, short story writer, novelist, playwright, and children's book author best known for The King in Yellow (1895), which has influenced many authors including H. P. Lovecraft, Karl Edward Wagner, Lin Carter, Joseph S. Pulver, and Stephen King. His stories have also inspired dozens of movie adaptations.
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