The King, young Shah Naser, takes to the throne of Persia at a turning point of history: he inherits an enchanted medieval world of harems, eunuchs, and treasures as well as a palace of secret doors, sudden deaths, and hidden agendas. Within the court is danger enough: outside all manner of change threatens-industrialization, colonization. Russia and England conspire to open the King's empire; his mother and his vizier take opposing sides. The poor King-almost an exact contemporary of Queen Victoria-is trapped. He likes some aspects of modernity (electricity, photography) but can't embrace democracy. He must be a sovereign: he must keep his throne. The King cannot face change and he cannot escape it. With this gleaming and seemingly simple story, breathlessly paced and beautifully told, Kader Abdolah, the acclaimed Iranian émigré novelist, speaks of deeper truths. A novel which has many timely things to say about eras of change and upheaval, The King is an unforgettable book.
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The King is utterly fabulous in both senses of the word: a sly, witty, knowing fable, full of charm and humour. Deceptively simple in its storytelling, it reads like one of Angela Carter's fairy tales transposed into the nineteenth-century Qajar Persian court. Kader Abdolah is a masterful and completely addictive storyteller WILLIAM DALRYMPLE