Guy Tal
The Landscape Photographer's Guide to Photoshop: A Visualization-Driven Workflow
Guy Tal
The Landscape Photographer's Guide to Photoshop: A Visualization-Driven Workflow
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Provides readers with a roadmap to help you learn a visualisation-driven approach to landscape photography, and the techniques, tools and features needed.
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Provides readers with a roadmap to help you learn a visualisation-driven approach to landscape photography, and the techniques, tools and features needed.
Produktdetails
- Produktdetails
- Verlag: Rocky Nook
- Seitenzahl: 328
- Erscheinungstermin: 20. November 2017
- Englisch
- Abmessung: 256mm x 205mm x 20mm
- Gewicht: 932g
- ISBN-13: 9781681982182
- ISBN-10: 1681982188
- Artikelnr.: 45671957
- Verlag: Rocky Nook
- Seitenzahl: 328
- Erscheinungstermin: 20. November 2017
- Englisch
- Abmessung: 256mm x 205mm x 20mm
- Gewicht: 932g
- ISBN-13: 9781681982182
- ISBN-10: 1681982188
- Artikelnr.: 45671957
Guy Tal spent the first 26 years of his life in Israel where he was born, served a mandatory military service, and studied and taught at the Tel Aviv University. As a youth, he loved to explore the natural areas around his home by the Mediterranean Sea, as well as the Negev Desert and the Golan Heights. It was during one of these outings that Guy first picked up a camera to document the things that fascinated him about the natural landscape and its wild inhabitants. This prompted a passion for and deep interest in photography that continues to grow and intensify to this day-three decades later. At odds with the political turmoil and rampant urbanization of his homeland, Guy immigrated to California where he embarked on a career in information technology. He also began an enduring love affair with the wild places of the American West. Guy found that he was unfulfilled by the urban, career-driven life, and decided to move closer to his beloved deserts and mountains of the Colorado Plateau. He ultimately settled in a tiny, remote town at the foot of Utah's Aquarius Plateau, on the edge of Utah's famous canyon country-a place that inspires him deeply and where he practices most of his work. A lifelong learner and explorer, Guy's interest in art, science, and philosophy converged with his intense love of wild places, which he expresses through his photography and writing. He is a public speaker, educator, and frequent contributor to several photographic publications. Guy's first book, More Than A Rock, was published by Rocky Nook in 2015.
The Landscape Photographer's Guide to Photoshop
By Guy Tal
Table Of Contents
. Foreword (author TBD)
. Introduction
1. How We Got to Now
2. Why Expressive Photography
3. The Digital Studio
a. The Creative Workspace
b. Building Blocks
4. Speaking Digital
a. Understanding Bits
b. The RAW File
c. Image File Formats
d. Pixels vs. Dots
e. Digital Color
f. Master Files
5. Histograms
6. Dynamic Visualization
a. Understanding Visualization
b. Defining and Visualizing Your Expressive Goals
c. Visualization Techniques
d. Useful Exercises to improve Visualization Skills
7. Image Analysis
8. Workflow Overview
9. RAW Conversion
a. Why Start with RAW?
b. RAW Conversion vs. Image Editing
c. Using ACR
d. Detailed Conversion Example
10. Introduction to Photoshop
a. The User Interface
b. Useful Settings in Photoshop Preferences
c. Introduction to Layers
d. Useful Keyboard Shortcuts
e. The Tools Panel
f. The Control Panel
g. The History Panel
h. The Histogram Panel
i. The Info Panel
j. The Properties Panel
11. Working With Tools
a. Healing Brush and Cloning Tool
b. Basic Selection Tools
c. Cropping
d. Working with Brushes
12. Working with Layers
a. Visibility
b. Naming and Grouping
c. Opacity and Fill
d. Blending Modes
e. Layer Masks
13. Image Editing Techniques
a. Working With Adjustment Layers
i. Levels
ii. Curves
iii. Color Balance
iv. Vibrance and Hue/Saturation
b. Working With Image Layers
i. Image Blending
ii. Selective Noise Reduction
c. Using Actions
d. Dodging and Burning
14. Advanced Selections and Masks
a. Making Precise Selections
b. Switching between Masks and Selections
c. The Quick Mask Tool
15. Creating and Managing The Master File
16. Processing Black and White Images
a. Effective B&W Visualization
b. From Color to Tone
c. The Black and White Adjustment Layer
d. Conversion using Multiple Filter Effects
e. Toning Images
17. Output
a. Sizing
b. Sharpening
c. Color Management
18. Preparing Images for Web
19. Printing
a. What Makes a Fine Print
b. Why Make Your Own Prints
c. Digital Print Types
d. Under the Hood
e. Understanding Resolution
f. Color Management for Printing
g. Papers and other Substrates
h. Printing Workflow Overview
i. Print Visualization and Simulation
j. Special Considerations for B&W
k. Making The Print
20. Putting It All Together
Conclusion
Glossary
Index
By Guy Tal
Table Of Contents
. Foreword (author TBD)
. Introduction
1. How We Got to Now
2. Why Expressive Photography
3. The Digital Studio
a. The Creative Workspace
b. Building Blocks
4. Speaking Digital
a. Understanding Bits
b. The RAW File
c. Image File Formats
d. Pixels vs. Dots
e. Digital Color
f. Master Files
5. Histograms
6. Dynamic Visualization
a. Understanding Visualization
b. Defining and Visualizing Your Expressive Goals
c. Visualization Techniques
d. Useful Exercises to improve Visualization Skills
7. Image Analysis
8. Workflow Overview
9. RAW Conversion
a. Why Start with RAW?
b. RAW Conversion vs. Image Editing
c. Using ACR
d. Detailed Conversion Example
10. Introduction to Photoshop
a. The User Interface
b. Useful Settings in Photoshop Preferences
c. Introduction to Layers
d. Useful Keyboard Shortcuts
e. The Tools Panel
f. The Control Panel
g. The History Panel
h. The Histogram Panel
i. The Info Panel
j. The Properties Panel
11. Working With Tools
a. Healing Brush and Cloning Tool
b. Basic Selection Tools
c. Cropping
d. Working with Brushes
12. Working with Layers
a. Visibility
b. Naming and Grouping
c. Opacity and Fill
d. Blending Modes
e. Layer Masks
13. Image Editing Techniques
a. Working With Adjustment Layers
i. Levels
ii. Curves
iii. Color Balance
iv. Vibrance and Hue/Saturation
b. Working With Image Layers
i. Image Blending
ii. Selective Noise Reduction
c. Using Actions
d. Dodging and Burning
14. Advanced Selections and Masks
a. Making Precise Selections
b. Switching between Masks and Selections
c. The Quick Mask Tool
15. Creating and Managing The Master File
16. Processing Black and White Images
a. Effective B&W Visualization
b. From Color to Tone
c. The Black and White Adjustment Layer
d. Conversion using Multiple Filter Effects
e. Toning Images
17. Output
a. Sizing
b. Sharpening
c. Color Management
18. Preparing Images for Web
19. Printing
a. What Makes a Fine Print
b. Why Make Your Own Prints
c. Digital Print Types
d. Under the Hood
e. Understanding Resolution
f. Color Management for Printing
g. Papers and other Substrates
h. Printing Workflow Overview
i. Print Visualization and Simulation
j. Special Considerations for B&W
k. Making The Print
20. Putting It All Together
Conclusion
Glossary
Index
The Landscape Photographer's Guide to Photoshop
By Guy Tal
Table Of Contents
. Foreword (author TBD)
. Introduction
1. How We Got to Now
2. Why Expressive Photography
3. The Digital Studio
a. The Creative Workspace
b. Building Blocks
4. Speaking Digital
a. Understanding Bits
b. The RAW File
c. Image File Formats
d. Pixels vs. Dots
e. Digital Color
f. Master Files
5. Histograms
6. Dynamic Visualization
a. Understanding Visualization
b. Defining and Visualizing Your Expressive Goals
c. Visualization Techniques
d. Useful Exercises to improve Visualization Skills
7. Image Analysis
8. Workflow Overview
9. RAW Conversion
a. Why Start with RAW?
b. RAW Conversion vs. Image Editing
c. Using ACR
d. Detailed Conversion Example
10. Introduction to Photoshop
a. The User Interface
b. Useful Settings in Photoshop Preferences
c. Introduction to Layers
d. Useful Keyboard Shortcuts
e. The Tools Panel
f. The Control Panel
g. The History Panel
h. The Histogram Panel
i. The Info Panel
j. The Properties Panel
11. Working With Tools
a. Healing Brush and Cloning Tool
b. Basic Selection Tools
c. Cropping
d. Working with Brushes
12. Working with Layers
a. Visibility
b. Naming and Grouping
c. Opacity and Fill
d. Blending Modes
e. Layer Masks
13. Image Editing Techniques
a. Working With Adjustment Layers
i. Levels
ii. Curves
iii. Color Balance
iv. Vibrance and Hue/Saturation
b. Working With Image Layers
i. Image Blending
ii. Selective Noise Reduction
c. Using Actions
d. Dodging and Burning
14. Advanced Selections and Masks
a. Making Precise Selections
b. Switching between Masks and Selections
c. The Quick Mask Tool
15. Creating and Managing The Master File
16. Processing Black and White Images
a. Effective B&W Visualization
b. From Color to Tone
c. The Black and White Adjustment Layer
d. Conversion using Multiple Filter Effects
e. Toning Images
17. Output
a. Sizing
b. Sharpening
c. Color Management
18. Preparing Images for Web
19. Printing
a. What Makes a Fine Print
b. Why Make Your Own Prints
c. Digital Print Types
d. Under the Hood
e. Understanding Resolution
f. Color Management for Printing
g. Papers and other Substrates
h. Printing Workflow Overview
i. Print Visualization and Simulation
j. Special Considerations for B&W
k. Making The Print
20. Putting It All Together
Conclusion
Glossary
Index
By Guy Tal
Table Of Contents
. Foreword (author TBD)
. Introduction
1. How We Got to Now
2. Why Expressive Photography
3. The Digital Studio
a. The Creative Workspace
b. Building Blocks
4. Speaking Digital
a. Understanding Bits
b. The RAW File
c. Image File Formats
d. Pixels vs. Dots
e. Digital Color
f. Master Files
5. Histograms
6. Dynamic Visualization
a. Understanding Visualization
b. Defining and Visualizing Your Expressive Goals
c. Visualization Techniques
d. Useful Exercises to improve Visualization Skills
7. Image Analysis
8. Workflow Overview
9. RAW Conversion
a. Why Start with RAW?
b. RAW Conversion vs. Image Editing
c. Using ACR
d. Detailed Conversion Example
10. Introduction to Photoshop
a. The User Interface
b. Useful Settings in Photoshop Preferences
c. Introduction to Layers
d. Useful Keyboard Shortcuts
e. The Tools Panel
f. The Control Panel
g. The History Panel
h. The Histogram Panel
i. The Info Panel
j. The Properties Panel
11. Working With Tools
a. Healing Brush and Cloning Tool
b. Basic Selection Tools
c. Cropping
d. Working with Brushes
12. Working with Layers
a. Visibility
b. Naming and Grouping
c. Opacity and Fill
d. Blending Modes
e. Layer Masks
13. Image Editing Techniques
a. Working With Adjustment Layers
i. Levels
ii. Curves
iii. Color Balance
iv. Vibrance and Hue/Saturation
b. Working With Image Layers
i. Image Blending
ii. Selective Noise Reduction
c. Using Actions
d. Dodging and Burning
14. Advanced Selections and Masks
a. Making Precise Selections
b. Switching between Masks and Selections
c. The Quick Mask Tool
15. Creating and Managing The Master File
16. Processing Black and White Images
a. Effective B&W Visualization
b. From Color to Tone
c. The Black and White Adjustment Layer
d. Conversion using Multiple Filter Effects
e. Toning Images
17. Output
a. Sizing
b. Sharpening
c. Color Management
18. Preparing Images for Web
19. Printing
a. What Makes a Fine Print
b. Why Make Your Own Prints
c. Digital Print Types
d. Under the Hood
e. Understanding Resolution
f. Color Management for Printing
g. Papers and other Substrates
h. Printing Workflow Overview
i. Print Visualization and Simulation
j. Special Considerations for B&W
k. Making The Print
20. Putting It All Together
Conclusion
Glossary
Index