Mandy is a gorgeous creation, a character so warm and vivid you half wish you could take her out for a drink . . . Dawson is good at delineating class, particularly as it manifested itself in the '70s . . . every detail is perfect, from children's toys to mealtimes . . . it's impossible to tire of Mandy, or of Neville, the West Indian man with whom she falls in love Rachel Cooke Observer