The Great War drama by Viennese satirist Karl Kraus, restaged by Sengl in "stunning display" of taxidermied rat-actors, with commentary.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Matthias Goldmann is a writer and translator. He has published essays, poetry, and stories, has created and exhibited computer text animations, and has cooperated with visual artists and authors on various projects and publications including coauthoring the artist monograph Franz West: Man with a Ball (Rizzoli, 2014).
Inhaltsangabe
Deborah Sengl's Karl Kraus Marjorie Perloff The Mousetrap The Turn to Abstraction Representation "The Document Is a Figure" Matthias Goldmann Conversion of Horror into Words Operetta Figures Play out the Tragedy of Mankind Come Forward and Be Silent Masks of the Tragic Carnival Flesh for Blood and Blood for Ink The Word Died Trench Rats Anna C. Souchuk Miniatures Taxidermy and Tableau: An Invitation to Look at Animals Metaphorical Animals: The Role of Rats in the Stories Humans Tell The Last Days of Mankind [installation images and excerpts from Karl Kraus' play] Deborah Sengl Afterword Paul Reitter Bibliography Index Acknowledgments
Deborah Sengl's Karl Kraus Marjorie Perloff The Mousetrap The Turn to Abstraction Representation "The Document Is a Figure" Matthias Goldmann Conversion of Horror into Words Operetta Figures Play out the Tragedy of Mankind Come Forward and Be Silent Masks of the Tragic Carnival Flesh for Blood and Blood for Ink The Word Died Trench Rats Anna C. Souchuk Miniatures Taxidermy and Tableau: An Invitation to Look at Animals Metaphorical Animals: The Role of Rats in the Stories Humans Tell The Last Days of Mankind [installation images and excerpts from Karl Kraus' play] Deborah Sengl Afterword Paul Reitter Bibliography Index Acknowledgments
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