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Based on the riveting novel by Alexandre Dumas, Ten Years After, this is the bestselling author's final account of The Three Musketeers and their young recruit, D'Artagnan. In 1661 young Louis XIV is King of France. The Musketeers find themselves divided: Aramis (now secret head of the Jesuit Order) wants to replace Louis with his hidden twin brother, The Man in the Iron Mask. D'Artagnan, however, is the King's man and Captain of the Musketeers, and pledged to oppose any act against the throne. In the end, only one of the Musketeers can prevail. An exciting, action-filled drama of cutthroat politics!…mehr

Produktbeschreibung
Based on the riveting novel by Alexandre Dumas, Ten Years After, this is the bestselling author's final account of The Three Musketeers and their young recruit, D'Artagnan. In 1661 young Louis XIV is King of France. The Musketeers find themselves divided: Aramis (now secret head of the Jesuit Order) wants to replace Louis with his hidden twin brother, The Man in the Iron Mask. D'Artagnan, however, is the King's man and Captain of the Musketeers, and pledged to oppose any act against the throne. In the end, only one of the Musketeers can prevail. An exciting, action-filled drama of cutthroat politics!
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Autorenporträt
Alexandre Dumas, born Dumas Davy de la Pailleterie; 24 July 1802 - 5 December 1870), was a French writer. His works have been translated into nearly 100 languages, and he is one of the most widely read French authors. Many of his historical novels of high adventure were originally published as serials, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte de Bragelonne: Ten Years Later. His novels have been adapted since the early twentieth century for nearly 200 films. Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris. The English playwright Watts Phillips, who knew Dumas in his later life, described him as "the most generous, large-hearted being in the world. He also was the most delightfully amusing and egotistical creature on the face of the Earth. His tongue was like a windmill - once set in motion, you never knew when he would stop, especially if the theme was himself."