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As people across the land awaken in new incarnations, Anders, whose skin turns dark, confides only in Oona, an old friend turned new lover, deciding to use this as chance at a kind of rebirth, in this novel of transcendence over bigotry, fear, and anger.

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Produktbeschreibung
As people across the land awaken in new incarnations, Anders, whose skin turns dark, confides only in Oona, an old friend turned new lover, deciding to use this as chance at a kind of rebirth, in this novel of transcendence over bigotry, fear, and anger.
Autorenporträt
Mohsin Hamid is the author of the international bestsellers Exit West and The Reluctant Fundamentalist, both finalists for the Man Booker Prize. His first novel, Moth Smoke, won the Betty Trask Award and was a finalist for the PEN/Hemingway Foundation Award. His essays, a number of them collected as Discontent and Its Civilizations, have appeared in The New York Times, the Washington Post, The New York Review of Books, and elsewhere. He divides his time between Lahore, New York, and London.
Rezensionen
Advance praise for The Last White Man:

Searing, exhilarating. . . . reimagines Kafka s iconic The Metamorphosis for our racially charged era. Hamid brings a restless, relentless brilliance to his characters journeys and the revelations, public and private, that inform us all. Gorgeously crafted, morally authoritative, The Last White Man concludes on a note of hope, a door jarred open just enough to let transcendence pour through. Oprah Daily

[A] tale of poignant magical realism. . . . Haunting and arresting in equal measure. Elle

An emotionally gut-punching exploration of race, privilege, grief, and white anxiety. Mother Jones

A brilliantly realized allegory of racial transformation. . . . Hamid s story is poignant and pointed, speaking to a more equitable future in which widespread change, though confusing and dislocating in the moment, can serve to erase the divisions of old as they fade away with the passing years. A provocative tale that raises questions of racial and social justice at every turn. Kirkus (starred review)

With one remarkable book after another, Mohsin Hamid has proven himself to be one of the 21st century's most essential writers. This is, perhaps, his most remarkable work yet. THE LAST WHITE MAN is myth and poetry operating as a deeper form of social commentary, and an extraordinary vision of human possibility. Ayad Akhtar, author of Homeland Elegies

Praise for Mohsin Hamid:

Hamid s enticing strategy is to foreground the humanity. . . . [He] exploits fiction s capacity to elicit empathy and identification to imagine a better world. The New York Times Book Review

Lyrical and urgent . . . peels away the dross of bigotry to expose the beauty of our common humanity. O, the Oprah Magazine

Moving, audacious, and indelibly human. Entertainment Weekly

Feels immediately canonical, so firm and unerring is Hamid s understanding of our time and its most pressing questions. The New Yorker
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