Rachel A. Kent

The Late Medieval Origins of the Modern Novel

• Gebundenes Buch

Produktbeschreibung

Dramatically refreshing the age-old debate about the novel's origins and purpose, Kent traces the origin of the modern novel to a late medieval fascination with the wounded, and often eroticized, body of Christ. A wide range of texts help to illustrate this discovery, ranging from medieval 'Pietàs' to Thomas Hardy to contemporary literary theory.

Produktdetails

• Verlag: Palgrave Macmillan / Palgrave Macmillan US / Springer Palgrave Macmillan
• Artikelnr. des Verlages: 978-1-137-54133-8
• 1st ed. 2015
• Seitenzahl: 278
• Erscheinungstermin: 5. Oktober 2015
• Englisch
• Abmessung: 216mm x 140mm x 18mm
• Gewicht: 457g
• ISBN-13: 9781137541338
• ISBN-10: 1137541334
• Artikelnr.: 42851722

Autorenporträt

Rachel Andrea Kent is an Independent Scholar in New Zealand.

Inhaltsangabe

Introduction: The Novel's Liturgical Origins, Pursuit of Presence, and
Pained Aesthetics
1. The Laity's Triumph: Evolutions of Medieval Christology, Liturgy, and
Lay Devotional Practice
2. The Wooden Pietà's Use and Inspiration in Late Medieval Beguine
Communities
3. Housing for "Excess": Protestantism, Textuality, and the Novel's Late
Medieval Capacities in a Post-Reformation Cosmos
4. Humor and Inconclusiveness: The Modern Novel's Experimental Origins and
Hermeneutical Future
5. The Scandalous Divinity of "Madame Edwarda" and "My Mother": Georges
Bataille's Atheist "theology" of the Incarnation, Community, and Ethics
6. Thomas Hardy's Phenomenology and Redemption for Michael Henchard through
the Victorian Feminine
7. The Short Story as Presence Encounter: Eden, the Aging Body, and the
Suckled Breast in Maupassant and Steinbeck's Literary Pietás
Conclusion: The World Recreated: Lame Margareta of Magdeburg's Experimental
Theology and Ethics

Rezensionen

"Kent shows a profound sensitivity to the emotional and ethical capacity of art and literature to communicate complex and multi-faceted meanings. Her weaving together of medieval devotional art and modern literature is scintillating in its allusive and suggestive associations, offering a moving and eloquent insight into the difference between the suffering body as the compassionate focus of piety/pity, and the suffering body as the pornographic focus of violence and possession." - Tina Beattie, Professor of Catholic Studies, University of Roehampton, UK

"Working within a discipline that now searches for multiple lines of filiation, Kent develops a wide-ranging argument in service of a provocative thesis: the novel emerges as a 'site of endurance' for a liturgically-based ontology 'embodied,' quite literally, in late-medieval devotional practices. 'Modernity's' supposed rupture with its 'medieval' past is once again challenged by a writer willing to engage with what has been overlooked, marginalized, concealed - this time in service of a renewed spirituality." - James M. Kee, Professor of English, College of the Holy Cross, USA

"A new, spicy voice in the counter-tradition that runs from Margaret Anne Doody to Thomas Pavel, Kent's work upends scholarly assumptions of the novel's modern origins and secularizing trajectory. Her insistence on the priority of the erotic, impassioned person and visceral personal encounter without which there is no signification or meaning and her lyrical flourishes from theology to cultural theory to the middle ages and back again make this a delicious, electric, and satisfying read." - Lori Branch, Associate Professor of English, The University of Iowa, USA