Patricia Caicedo

The Latin American Art Song

Sounds of the Imagined Nations

• Gebundenes Buch

Produktbeschreibung

This study of the Latin American art song and its development in the context of musical nationalism shows how the song is a mirror in which the processes of conformation to Latin American national identity are reflected.

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Produktdetails

• Verlag: Globe Pequot Publishing Group Inc/Bloomsbury
• Seitenzahl: 190
• Erscheinungstermin: 17. Dezember 2018
• Englisch
• Abmessung: 235mm x 157mm x 15mm
• Gewicht: 436g
• ISBN-13: 9781498581622
• ISBN-10: 1498581625
• Artikelnr.: 54384417

Autorenporträt

Patricia Caicedo is an artist-scholar specializing in Latin American and Iberian art songs. With eleven albums and numerous scholarly editions of scores and books, including The Latin American Art Song: Sounds of the Imagined Nations, she is a leading authority in the field. Patricia founded and directs the Barcelona Festival of Song, a renowned summer program exploring the history and interpretation of this repertoire.Additionally, Patricia is the editor of the Latin American and Spanish Vocal Music Collection, a growing series with 15 titles focused on art songs in Spanish, Catalan, and Portuguese. She holds a Ph.D. in musicology from Universidad Complutense de Madrid and an M.D. from Escuela Colombiana de Medicina. www.patriciacaicedo.com

Inhaltsangabe

Foreword by Walter Clark Prelude Introduction Chapter 1: The sounds of the
imagined nations Towards a broader definition of nationalism Latin America:
multiple identities Musical nationalism in Latin America Latin American
National Anthems: Towards a national identity? Salon music and the
influence of Italian opera The construction of the national sound begins
Creolism Alberto Nepomuceno: Song in Portuguese Developing the National
Style Alberto Williams and the stylization of folk song The double
verbal-musical nature of song: Latin American composers setting Latin
American poems to music Chapter 2: A creative storm Art song as a medium of
expression of modernist nationalism Argentina Brazil Cuba Perú Venezuela
Chapter 3: New facets of the concept of nationalism in the 20th century Art
song since 1940 Alberto Ginastera: from a national style to a national
atmosphere Carlos Guastavino: the voice of tradition Jaime León: a
Pan-American voice The Nueva Canción Latinoamericana movement and its
relation to art song Chapter 4: Towards a musical transnationalism or the
dissolution of borders. Transnationalism: multiple places or the non-place
A transnational composer: Moisès Bertran (Catalunya, 1967)
Transnationalism, cosmopolitanism, multi-locality, neo-nationalism? Chapter
5: Performance practice of Latin American Art Song The concept of
performance practice Performance: a space of communication between
performers and audience The performance of art song: an integrative space
Art song and its performance Folk song and its performance Popular song and
its performance Looking for the borders between Art song and Folk song:
Following the steps of Marcel Duchamp Pierre Bourdieu and the concepts of
field and habitus applied to the study of song Meaning-producing agents in
the world of song Meaning-producing agents in the sub-field of art song
Performance context of art song Meaning-producing agents in the sub-field
of folk song Performance context of folk song Meaning-producing agents in
the sub-field of popular song Performance context of popular song The dual
status of folk and art song: Marcel Duchamp and the "ready-mades" Song: an
elastic, flexible and integrating space Proposals for a new performance
practice of Latin American art song Discography Bibliography