This book is a comparative analysis of the history of popular music and folk studies in Chile, Argentina, and Brazil as it relates to society, culture, and representations of national identity.
This book is a comparative analysis of the history of popular music and folk studies in Chile, Argentina, and Brazil as it relates to society, culture, and representations of national identity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tânia da Costa Garcia is professor and researcher of history and social history at Paulista State University.
Inhaltsangabe
Preface: Brief Considerations on Music as the Historian's Subject of Investigation Chapter 1: Folklore, Folk Music and the Constitution of a Mixed-Race National Identity Chapter 2: The Chilean Folk Songbook: From Música Típica to Nueva Canción Chapter 3: Folklorizing the Popular: A Resistance Operation Against Cultural Globalization in 1950s Brazil Chapter 4: The Gaucho, Folklore and the Mass Politics of Juan Domingo Perón Chapter 5: A Single Songbook for all Argentines Chapter 6: Neither Country nor City: An Imagined Between-Place for the Argentine FolkSong Chapter 7: Atahualpa Yupanqui: A Dissonant Note in Juan Domingo Perón's Folk Songbook Chapter 8: Art and Revolution: a Comparative Study of the Manifesto do Centro Popular de Cultura (Manifesto of the Popular Center of Culture) and the Manifiesto del Nuevo Cancionero (Manifesto of the New Songbook) Chapter 9: The Sounds and Meanings of the Latin American Militant Song in Brazil Under Dictatorship Rule (1970)
Preface: Brief Considerations on Music as the Historian's Subject of Investigation Chapter 1: Folklore, Folk Music and the Constitution of a Mixed-Race National Identity Chapter 2: The Chilean Folk Songbook: From Música Típica to Nueva Canción Chapter 3: Folklorizing the Popular: A Resistance Operation Against Cultural Globalization in 1950s Brazil Chapter 4: The Gaucho, Folklore and the Mass Politics of Juan Domingo Perón Chapter 5: A Single Songbook for all Argentines Chapter 6: Neither Country nor City: An Imagined Between-Place for the Argentine FolkSong Chapter 7: Atahualpa Yupanqui: A Dissonant Note in Juan Domingo Perón's Folk Songbook Chapter 8: Art and Revolution: a Comparative Study of the Manifesto do Centro Popular de Cultura (Manifesto of the Popular Center of Culture) and the Manifiesto del Nuevo Cancionero (Manifesto of the New Songbook) Chapter 9: The Sounds and Meanings of the Latin American Militant Song in Brazil Under Dictatorship Rule (1970)
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