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The first of the events which I must now relate was the conviction of The Prisoner for the murder of her husband. They had lived together in matrimony for little more than two years. The husband, a gentleman by birth and education, had mortally offended his relations in marrying a woman of an inferior rank of life. He was fast declining into a state of poverty, through his own reckless extravagance, at the time when he met with his death at his wife's hand. Without attempting to excuse him, he deserved, to my mind, some tribute of regret. It is not to be denied that he was profligate in his…mehr

Produktbeschreibung
The first of the events which I must now relate was the conviction of The Prisoner for the murder of her husband. They had lived together in matrimony for little more than two years. The husband, a gentleman by birth and education, had mortally offended his relations in marrying a woman of an inferior rank of life. He was fast declining into a state of poverty, through his own reckless extravagance, at the time when he met with his death at his wife's hand. Without attempting to excuse him, he deserved, to my mind, some tribute of regret. It is not to be denied that he was profligate in his habits and violent in his temper. But it is equally true that he was affectionate in the domestic circle, and, when moved by wisely applied remonstrance, sincerely penitent for sins committed under temptation that overpowered him. If his wife had killed him in a fit of jealous rage -- under provocation, be it remembered, which the witnesses proved -- she might have been convicted of manslaughter, and might have received a light sentence. But the evidence so undeniably revealed deliberate and merciless premeditation, that the only defense attempted by her counsel was madness, and the only alternative left to a righteous jury was a verdict which condemned the woman to death. Those mischievous members of the community, whose topsy-turvy sympathies feel for the living criminal and forget the dead victim, attempted to save her by means of high-flown petitions and contemptible correspondence in the newspapers. But the Judge held firm; and the Home Secretary held firm. They were entirely right; and the public were scandalously wrong. . . .
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Autorenporträt
William Wilkie Collins (1824 - 1889) was an English novelist, playwright and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868). The last is considered the first modern English detective novel. Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. After his first novel, Antonina, was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins's works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on drama and fiction. Collins was critical of the institution of marriage and never married; he split his time between Caroline Graves, except for a two-year separation, and his common-law wife Martha Rudd, with whom he had three children.