Frank Gunderson
The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka
Rhumba Kiserebuka!
Frank Gunderson
The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka
Rhumba Kiserebuka!
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This work examines the creative lives and careers of Muhidin Maalim Gurumo and Hassan Rehani Bitchuka, two of Tanzania's most well-known singers in the popular music genre known as muziki wa dansi (literally, "music for dancing"), through an ethnomusicological lens.
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This work examines the creative lives and careers of Muhidin Maalim Gurumo and Hassan Rehani Bitchuka, two of Tanzania's most well-known singers in the popular music genre known as muziki wa dansi (literally, "music for dancing"), through an ethnomusicological lens.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Globe Pequot Publishing Group Inc/Bloomsbury
- Seitenzahl: 358
- Erscheinungstermin: 24. August 2018
- Englisch
- Abmessung: 235mm x 157mm x 26mm
- Gewicht: 734g
- ISBN-13: 9781498564397
- ISBN-10: 1498564399
- Artikelnr.: 52424794
- Verlag: Globe Pequot Publishing Group Inc/Bloomsbury
- Seitenzahl: 358
- Erscheinungstermin: 24. August 2018
- Englisch
- Abmessung: 235mm x 157mm x 26mm
- Gewicht: 734g
- ISBN-13: 9781498564397
- ISBN-10: 1498564399
- Artikelnr.: 52424794
Frank Gunderson is associate professor of ethnomusicology at Florida State University.
Foreword by Hassan Rehani Bitchuka Introduction "Jembe Hilo Limeondoka"
("That Hoe has Departed")-Farewell to Muhidin Maalim Gurumo Scope of the
Book Approaches Sources and Evidence Organization and Layout Chapter 1:
Introducing Muhidin Maalim Gurumo and Hassan Rehani Bitchuka "Gurumo the
Great"-A Reluctant Star in Dar es Salaam Muhidin Gurumo's Mitindo (Styles)
and the Practice of Tanzanian Dance Music Branding "Bitchuka the Bold"-A
Transcendent Voice in Tanzanian Popular Music Hassan Bitchuka's
Cross-Dressed Vocal Persona Hassan Bitchuka's and Muhidin Gurumo's
Compositional Aesthetic Chapter 2: Setting the Stage-The Cultural History
of the East-Central African Rhumba Scene The Spread of the Congolese Rhumba
The Emergence of Muziki wa Dansi Sikinde Live! -The Tanzanian Rhumba Scene
in Dar es Salaam Chapter 3: Muhidin Gurumo's Musical Development and Work
with Nuta Jazz Band Muhidin Gurumo-The Formative Years (1939-1959) Muhidin
Gurumo's Stints with Kilimanjaro Cha Cha Jazz Band, Rufiji Jazz Band, and
Kilwa Jazz Band (1959-1964) The Origins and Early Years of NUTA Jazz Band
Safari of NUTA Jazz Band and their Emerging Fan Base Growing Mtindo wa
Msondo (Msondo Style) Considering Provenance(s)-The Case of the Song
"Nimwokoe Nani?" (Whom shall I rescue?) Chapter 4: "Mtoto Mtundu"
("Precocious Child")-Hassan Bitchuka's Early Musical Career Hassan
Bitchuka-The Formative Years (1956-1973) Hassan Bitchuka Joins NUTA /
JUWATA Jazz Band State Song Patronage-The Case of the Song "Nidhamu ya
Kazi" (Work discipline) Chapter 5: Mlimani Park Orchestra-The "Classic
Period" (1978-1985) Origin Stories Hassan Bitchuka Joins Mlimani Park
Orchestra "Hapa Tunapangusa Almasi" ("Here We Polish Diamonds")-Band
Practice during Ramadan The Black Warriors Recording Project Mlimani Park
Orchestra's Rise to National and International Visibility Chapter 6: The
International Orchestra Safari Sound Era (1985-1987) Businessman Hugo
Kisima's Coup de Tat with International Orchestra Safari Sound Mtindo wa
Ndekule (Ndekule Style) Hassan Bitchuka's Return to Mlimani Park Orchestra
(1987-1991) The "Kumi Bora" ("Ten Best") Piracy Scandal Chapter 7: The Ottu
Jazz Band Era (1991-2004) From JUWATA Jazz Band to OTTU Jazz Band "Baba wa
Muziki" ("Fathers of Music") Hassan Bitchuka's Scandalous Departure from
OTTU Jazz Band The Msondo-Sikinde Clan Battles Intensify "Wachawi Wapo, na
Wanaua Watu" ("Witches are There, and They Murder People") Chapter 8:
Msondo and Sikinde in the Era of Kujitegemea (Self-Reliance) The
Msondo-Sikinde Clans Respond to the Free Market Economy Sikinde-"Ngoma ya
Ukae" ("The Music of Home") Mashindano! (Contest!) Zilipendwa (They Were
Loved)-Golden Oldies and Musical Nostalgia Chapter 9: Muhidin Gurumo's
Retirement and Passing Retirement Plans (M. M. *Gurumo 2010b) Bitchuka and
Gurumo Reunited Onstage Eulogy for a Musical Hero Concluding Remarks: The
Legacy of Muhidin Gurumo and Hassan Bitchuka Appendix I: Glossary Appendix
II: Government-Related Acronyms Appendix III: Muhidin Gurumo and Hassan
Bitchuka Band Chronology Appendix IV: Extended Interviews with Muhidin
Gurumo A Conversation with Muhidin Gurumo about Mitindo A Conversation with
Muhidin Gurumo about Composition Appendix V: Online Discussion: "Bitchuka
ana Mafumbo Mengi Yake" ("Bitchuka has his Many Mysteries") Appendix VI:
Documented Msondo / Sikinde Studio Sessions at Radio Tanzania-Dar es Salaam
NUTA Jazz Band JUWATA Jazz Band Mlimani Park Orchestra List of Interviews
Cited Archives Visited Discography Bibliography
("That Hoe has Departed")-Farewell to Muhidin Maalim Gurumo Scope of the
Book Approaches Sources and Evidence Organization and Layout Chapter 1:
Introducing Muhidin Maalim Gurumo and Hassan Rehani Bitchuka "Gurumo the
Great"-A Reluctant Star in Dar es Salaam Muhidin Gurumo's Mitindo (Styles)
and the Practice of Tanzanian Dance Music Branding "Bitchuka the Bold"-A
Transcendent Voice in Tanzanian Popular Music Hassan Bitchuka's
Cross-Dressed Vocal Persona Hassan Bitchuka's and Muhidin Gurumo's
Compositional Aesthetic Chapter 2: Setting the Stage-The Cultural History
of the East-Central African Rhumba Scene The Spread of the Congolese Rhumba
The Emergence of Muziki wa Dansi Sikinde Live! -The Tanzanian Rhumba Scene
in Dar es Salaam Chapter 3: Muhidin Gurumo's Musical Development and Work
with Nuta Jazz Band Muhidin Gurumo-The Formative Years (1939-1959) Muhidin
Gurumo's Stints with Kilimanjaro Cha Cha Jazz Band, Rufiji Jazz Band, and
Kilwa Jazz Band (1959-1964) The Origins and Early Years of NUTA Jazz Band
Safari of NUTA Jazz Band and their Emerging Fan Base Growing Mtindo wa
Msondo (Msondo Style) Considering Provenance(s)-The Case of the Song
"Nimwokoe Nani?" (Whom shall I rescue?) Chapter 4: "Mtoto Mtundu"
("Precocious Child")-Hassan Bitchuka's Early Musical Career Hassan
Bitchuka-The Formative Years (1956-1973) Hassan Bitchuka Joins NUTA /
JUWATA Jazz Band State Song Patronage-The Case of the Song "Nidhamu ya
Kazi" (Work discipline) Chapter 5: Mlimani Park Orchestra-The "Classic
Period" (1978-1985) Origin Stories Hassan Bitchuka Joins Mlimani Park
Orchestra "Hapa Tunapangusa Almasi" ("Here We Polish Diamonds")-Band
Practice during Ramadan The Black Warriors Recording Project Mlimani Park
Orchestra's Rise to National and International Visibility Chapter 6: The
International Orchestra Safari Sound Era (1985-1987) Businessman Hugo
Kisima's Coup de Tat with International Orchestra Safari Sound Mtindo wa
Ndekule (Ndekule Style) Hassan Bitchuka's Return to Mlimani Park Orchestra
(1987-1991) The "Kumi Bora" ("Ten Best") Piracy Scandal Chapter 7: The Ottu
Jazz Band Era (1991-2004) From JUWATA Jazz Band to OTTU Jazz Band "Baba wa
Muziki" ("Fathers of Music") Hassan Bitchuka's Scandalous Departure from
OTTU Jazz Band The Msondo-Sikinde Clan Battles Intensify "Wachawi Wapo, na
Wanaua Watu" ("Witches are There, and They Murder People") Chapter 8:
Msondo and Sikinde in the Era of Kujitegemea (Self-Reliance) The
Msondo-Sikinde Clans Respond to the Free Market Economy Sikinde-"Ngoma ya
Ukae" ("The Music of Home") Mashindano! (Contest!) Zilipendwa (They Were
Loved)-Golden Oldies and Musical Nostalgia Chapter 9: Muhidin Gurumo's
Retirement and Passing Retirement Plans (M. M. *Gurumo 2010b) Bitchuka and
Gurumo Reunited Onstage Eulogy for a Musical Hero Concluding Remarks: The
Legacy of Muhidin Gurumo and Hassan Bitchuka Appendix I: Glossary Appendix
II: Government-Related Acronyms Appendix III: Muhidin Gurumo and Hassan
Bitchuka Band Chronology Appendix IV: Extended Interviews with Muhidin
Gurumo A Conversation with Muhidin Gurumo about Mitindo A Conversation with
Muhidin Gurumo about Composition Appendix V: Online Discussion: "Bitchuka
ana Mafumbo Mengi Yake" ("Bitchuka has his Many Mysteries") Appendix VI:
Documented Msondo / Sikinde Studio Sessions at Radio Tanzania-Dar es Salaam
NUTA Jazz Band JUWATA Jazz Band Mlimani Park Orchestra List of Interviews
Cited Archives Visited Discography Bibliography
Foreword by Hassan Rehani Bitchuka Introduction "Jembe Hilo Limeondoka"
("That Hoe has Departed")-Farewell to Muhidin Maalim Gurumo Scope of the
Book Approaches Sources and Evidence Organization and Layout Chapter 1:
Introducing Muhidin Maalim Gurumo and Hassan Rehani Bitchuka "Gurumo the
Great"-A Reluctant Star in Dar es Salaam Muhidin Gurumo's Mitindo (Styles)
and the Practice of Tanzanian Dance Music Branding "Bitchuka the Bold"-A
Transcendent Voice in Tanzanian Popular Music Hassan Bitchuka's
Cross-Dressed Vocal Persona Hassan Bitchuka's and Muhidin Gurumo's
Compositional Aesthetic Chapter 2: Setting the Stage-The Cultural History
of the East-Central African Rhumba Scene The Spread of the Congolese Rhumba
The Emergence of Muziki wa Dansi Sikinde Live! -The Tanzanian Rhumba Scene
in Dar es Salaam Chapter 3: Muhidin Gurumo's Musical Development and Work
with Nuta Jazz Band Muhidin Gurumo-The Formative Years (1939-1959) Muhidin
Gurumo's Stints with Kilimanjaro Cha Cha Jazz Band, Rufiji Jazz Band, and
Kilwa Jazz Band (1959-1964) The Origins and Early Years of NUTA Jazz Band
Safari of NUTA Jazz Band and their Emerging Fan Base Growing Mtindo wa
Msondo (Msondo Style) Considering Provenance(s)-The Case of the Song
"Nimwokoe Nani?" (Whom shall I rescue?) Chapter 4: "Mtoto Mtundu"
("Precocious Child")-Hassan Bitchuka's Early Musical Career Hassan
Bitchuka-The Formative Years (1956-1973) Hassan Bitchuka Joins NUTA /
JUWATA Jazz Band State Song Patronage-The Case of the Song "Nidhamu ya
Kazi" (Work discipline) Chapter 5: Mlimani Park Orchestra-The "Classic
Period" (1978-1985) Origin Stories Hassan Bitchuka Joins Mlimani Park
Orchestra "Hapa Tunapangusa Almasi" ("Here We Polish Diamonds")-Band
Practice during Ramadan The Black Warriors Recording Project Mlimani Park
Orchestra's Rise to National and International Visibility Chapter 6: The
International Orchestra Safari Sound Era (1985-1987) Businessman Hugo
Kisima's Coup de Tat with International Orchestra Safari Sound Mtindo wa
Ndekule (Ndekule Style) Hassan Bitchuka's Return to Mlimani Park Orchestra
(1987-1991) The "Kumi Bora" ("Ten Best") Piracy Scandal Chapter 7: The Ottu
Jazz Band Era (1991-2004) From JUWATA Jazz Band to OTTU Jazz Band "Baba wa
Muziki" ("Fathers of Music") Hassan Bitchuka's Scandalous Departure from
OTTU Jazz Band The Msondo-Sikinde Clan Battles Intensify "Wachawi Wapo, na
Wanaua Watu" ("Witches are There, and They Murder People") Chapter 8:
Msondo and Sikinde in the Era of Kujitegemea (Self-Reliance) The
Msondo-Sikinde Clans Respond to the Free Market Economy Sikinde-"Ngoma ya
Ukae" ("The Music of Home") Mashindano! (Contest!) Zilipendwa (They Were
Loved)-Golden Oldies and Musical Nostalgia Chapter 9: Muhidin Gurumo's
Retirement and Passing Retirement Plans (M. M. *Gurumo 2010b) Bitchuka and
Gurumo Reunited Onstage Eulogy for a Musical Hero Concluding Remarks: The
Legacy of Muhidin Gurumo and Hassan Bitchuka Appendix I: Glossary Appendix
II: Government-Related Acronyms Appendix III: Muhidin Gurumo and Hassan
Bitchuka Band Chronology Appendix IV: Extended Interviews with Muhidin
Gurumo A Conversation with Muhidin Gurumo about Mitindo A Conversation with
Muhidin Gurumo about Composition Appendix V: Online Discussion: "Bitchuka
ana Mafumbo Mengi Yake" ("Bitchuka has his Many Mysteries") Appendix VI:
Documented Msondo / Sikinde Studio Sessions at Radio Tanzania-Dar es Salaam
NUTA Jazz Band JUWATA Jazz Band Mlimani Park Orchestra List of Interviews
Cited Archives Visited Discography Bibliography
("That Hoe has Departed")-Farewell to Muhidin Maalim Gurumo Scope of the
Book Approaches Sources and Evidence Organization and Layout Chapter 1:
Introducing Muhidin Maalim Gurumo and Hassan Rehani Bitchuka "Gurumo the
Great"-A Reluctant Star in Dar es Salaam Muhidin Gurumo's Mitindo (Styles)
and the Practice of Tanzanian Dance Music Branding "Bitchuka the Bold"-A
Transcendent Voice in Tanzanian Popular Music Hassan Bitchuka's
Cross-Dressed Vocal Persona Hassan Bitchuka's and Muhidin Gurumo's
Compositional Aesthetic Chapter 2: Setting the Stage-The Cultural History
of the East-Central African Rhumba Scene The Spread of the Congolese Rhumba
The Emergence of Muziki wa Dansi Sikinde Live! -The Tanzanian Rhumba Scene
in Dar es Salaam Chapter 3: Muhidin Gurumo's Musical Development and Work
with Nuta Jazz Band Muhidin Gurumo-The Formative Years (1939-1959) Muhidin
Gurumo's Stints with Kilimanjaro Cha Cha Jazz Band, Rufiji Jazz Band, and
Kilwa Jazz Band (1959-1964) The Origins and Early Years of NUTA Jazz Band
Safari of NUTA Jazz Band and their Emerging Fan Base Growing Mtindo wa
Msondo (Msondo Style) Considering Provenance(s)-The Case of the Song
"Nimwokoe Nani?" (Whom shall I rescue?) Chapter 4: "Mtoto Mtundu"
("Precocious Child")-Hassan Bitchuka's Early Musical Career Hassan
Bitchuka-The Formative Years (1956-1973) Hassan Bitchuka Joins NUTA /
JUWATA Jazz Band State Song Patronage-The Case of the Song "Nidhamu ya
Kazi" (Work discipline) Chapter 5: Mlimani Park Orchestra-The "Classic
Period" (1978-1985) Origin Stories Hassan Bitchuka Joins Mlimani Park
Orchestra "Hapa Tunapangusa Almasi" ("Here We Polish Diamonds")-Band
Practice during Ramadan The Black Warriors Recording Project Mlimani Park
Orchestra's Rise to National and International Visibility Chapter 6: The
International Orchestra Safari Sound Era (1985-1987) Businessman Hugo
Kisima's Coup de Tat with International Orchestra Safari Sound Mtindo wa
Ndekule (Ndekule Style) Hassan Bitchuka's Return to Mlimani Park Orchestra
(1987-1991) The "Kumi Bora" ("Ten Best") Piracy Scandal Chapter 7: The Ottu
Jazz Band Era (1991-2004) From JUWATA Jazz Band to OTTU Jazz Band "Baba wa
Muziki" ("Fathers of Music") Hassan Bitchuka's Scandalous Departure from
OTTU Jazz Band The Msondo-Sikinde Clan Battles Intensify "Wachawi Wapo, na
Wanaua Watu" ("Witches are There, and They Murder People") Chapter 8:
Msondo and Sikinde in the Era of Kujitegemea (Self-Reliance) The
Msondo-Sikinde Clans Respond to the Free Market Economy Sikinde-"Ngoma ya
Ukae" ("The Music of Home") Mashindano! (Contest!) Zilipendwa (They Were
Loved)-Golden Oldies and Musical Nostalgia Chapter 9: Muhidin Gurumo's
Retirement and Passing Retirement Plans (M. M. *Gurumo 2010b) Bitchuka and
Gurumo Reunited Onstage Eulogy for a Musical Hero Concluding Remarks: The
Legacy of Muhidin Gurumo and Hassan Bitchuka Appendix I: Glossary Appendix
II: Government-Related Acronyms Appendix III: Muhidin Gurumo and Hassan
Bitchuka Band Chronology Appendix IV: Extended Interviews with Muhidin
Gurumo A Conversation with Muhidin Gurumo about Mitindo A Conversation with
Muhidin Gurumo about Composition Appendix V: Online Discussion: "Bitchuka
ana Mafumbo Mengi Yake" ("Bitchuka has his Many Mysteries") Appendix VI:
Documented Msondo / Sikinde Studio Sessions at Radio Tanzania-Dar es Salaam
NUTA Jazz Band JUWATA Jazz Band Mlimani Park Orchestra List of Interviews
Cited Archives Visited Discography Bibliography