The Life And Times Of St. Bernard, Abbot Of Clairvaux A.D. 1091-1153 - Morison, James Cotter
28,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
  • Broschiertes Buch

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Andere Kunden interessierten sich auch für
Produktbeschreibung
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Autorenporträt
James Augustus Cotter Morison, an English essayist and historian, was born in London. His father, who had amassed a huge fortune as the inventor and proprietor of "Morison's Pills," lived in Paris until his death in 1840, and Cotter Morison thus gained not just knowledge of the French language, but also a deep affinity for France and French institutions. He was educated at Highgate School and Lincoln College, Oxford. Here he was influenced by Mark Pattison, to whom his receptive personality may have owed a certain over-fastidiousness that defined his entire career. He also met the main English Positivists and became a devout follower of their views. Nonetheless, he maintained a great affinity for the Roman Catholic religion and once spent several weeks in a Catholic convent. Another significant influence shows in the magnificent Life of St Bernard, which he published in 1863, that of his friend Carlyle, to whom the work is dedicated and whose style it is heavily influenced. Meanwhile, he had been a regular writer, first to the Literary Gazette, edited by his friend John Morley, and later to the Saturday Review during its most creative period.