Eva Mantzourani provides a comprehensive study of this fascinating yet under-researched composer. The book comprises a critical biography, an exploration of Skalkottas's twelve-note compositional processes and analytical case studies, providing a diachronic framework within which Skalkottas's dodecaphonic compositional development can be more effectively viewed.
Eva Mantzourani provides a comprehensive study of this fascinating yet under-researched composer. The book comprises a critical biography, an exploration of Skalkottas's twelve-note compositional processes and analytical case studies, providing a diachronic framework within which Skalkottas's dodecaphonic compositional development can be more effectively viewed.
Eva Mantzourani specializes in both Music Analysis and Musicology, and has a particular interest in the music of the Greek composer Nikos Skalkottas. She studied at the Aristotle University of Thessaloniki, Goldsmiths College, University of London, and King's College, University of London, where she received her PhD. She is a Reader in Music at Canterbury Christ Church University.
Inhaltsangabe
Contents: Introduction Part I A Biographical Study: The early years in Greece (1904-1921) The Berlin period The Greek period. Part II Twelve-Note Technique: Introduction to part II The sets and set-groups Manipulation of the sets Derivation techniques Serial transformations: transposition, retrograde, inversion Set structure and phrase structure Set structure and large-scale form. Part III Twelve-Note Compositional Development: Case Studies: Introduction to part III Berlin works Linear serialism of the mid-1930s: 'strict' 12-note technique Expansion of the mid-1930s 'strict' 12-note technique: first Symphonic Suite (1935) Towards a free dodecaphonic technique New directions in the last chamber works: tonal serialism Epilogue Appendices Bibliography Index.
Contents: Introduction Part I A Biographical Study: The early years in Greece (1904-1921) The Berlin period The Greek period. Part II Twelve-Note Technique: Introduction to part II The sets and set-groups Manipulation of the sets Derivation techniques Serial transformations: transposition, retrograde, inversion Set structure and phrase structure Set structure and large-scale form. Part III Twelve-Note Compositional Development: Case Studies: Introduction to part III Berlin works Linear serialism of the mid-1930s: 'strict' 12-note technique Expansion of the mid-1930s 'strict' 12-note technique: first Symphonic Suite (1935) Towards a free dodecaphonic technique New directions in the last chamber works: tonal serialism Epilogue Appendices Bibliography Index.
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