John Gibbs is Senior Lecturer in Film at the University of Reading
Inhaltsangabe
Introduction 1. Sequence 2. Transfusion and transformation: Sight and Sound in the 1950s 3. 'Pistols for three, coffee for one': the battle of form and content, circa 1960 4. Movie: aims and contexts 5. Movie: approaches and analysis 6. Melodrama and mise-en-scène 7. Postscript: Bordwell's interventions Conclusion Bibliography Index Introduction 1. Sequence 2. Transfusion and transformation: sight and sound in the 1950s 'Pistols for three, coffee for one': the battle of form and content, circa 1960 3. Movie: aims and contexts 4. Movie: approaches and analysis 5. Melodrama and mise-en-scène 6. Postscript: Bordwell's interventions Conclusion Bibliography Index
Introduction 1. Sequence 2. Transfusion and transformation: Sight and Sound in the 1950s 3. 'Pistols for three, coffee for one': the battle of form and content, circa 1960 4. Movie: aims and contexts 5. Movie: approaches and analysis 6. Melodrama and mise-en-scène 7. Postscript: Bordwell's interventions Conclusion Bibliography Index Introduction 1. Sequence 2. Transfusion and transformation: sight and sound in the 1950s 'Pistols for three, coffee for one': the battle of form and content, circa 1960 3. Movie: aims and contexts 4. Movie: approaches and analysis 5. Melodrama and mise-en-scène 6. Postscript: Bordwell's interventions Conclusion Bibliography Index
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