The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history. The Limits of Auteurism challenges many of these assumptions. The book explores how distribution and critical reception determined the parameters of the New Hollywood canon.
The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history. The Limits of Auteurism challenges many of these assumptions. The book explores how distribution and critical reception determined the parameters of the New Hollywood canon.
Introduction: open roads Which new Hollywood? Easy rider Variations on a theme: five easy riders Five easy pieces Two-lane blacktop Vanishing point Little Fauss and Big Halsy Adam at 6 a.m Politicizing genre. Dirty Harry The French connection The limits of auteurism. The last movie The hired hand Conclusion: the end of the road
Introduction: open roads Which new Hollywood? Easy rider Variations on a theme: five easy riders Five easy pieces Two-lane blacktop Vanishing point Little Fauss and Big Halsy Adam at 6 a.m Politicizing genre. Dirty Harry The French connection The limits of auteurism. The last movie The hired hand Conclusion: the end of the road
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