The Lions - Campion, Peter
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Big Avalanche Ravine Just the warning light on a blue crane. Just mountains. Just the mist that skimmed them both and bled to silver rain lashing the condominiums. But there it sank on me. This urge to carve a life from the long expanse. To hold some ground against the surge of sheer material. It was a tense and persistent and metallic shiver. And it stayed, that tremor, small and stark as the noise of the hidden river fluming its edge against the dark. In his second collection of poems, Peter Campion writes about the struggle of making a life in America, about the urge "to carve a space" for…mehr

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Produktbeschreibung
Big Avalanche Ravine Just the warning light on a blue crane. Just mountains. Just the mist that skimmed them both and bled to silver rain lashing the condominiums. But there it sank on me. This urge to carve a life from the long expanse. To hold some ground against the surge of sheer material. It was a tense and persistent and metallic shiver. And it stayed, that tremor, small and stark as the noise of the hidden river fluming its edge against the dark. In his second collection of poems, Peter Campion writes about the struggle of making a life in America, about the urge "to carve a space" for love and family from out of the vast sweep of modern life. Coursing between the political and personal with astonishing ease, Campion writes at one moment of his disturbing connection to the public political structure, symbolized by Robert McNamara (who makes a startling appearance in the title poem), then in the next, of a haunting reverie beneath a magnolia tree, representing his impulse to escape the culture altogether. He moves through various forms just as effortlessly, as confident in rhymed quatrains as in slender, tensed free verse. In The Lions, Campion achieves a fusion of narrative structure and lyric intensity that proves him to be one of the very best poets of his generation. Praise for Other People "Campion is a poet who knows that what a poet sees is nothing without a mixture of formal prowess and emotional insight."--David Biespiel, The Oregonian
Autorenporträt
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry and of four collections of poems, Other People, The Lions, El Dorado, and One Summer Evening at the Falls. His poems have appeared in publications including Poetry, Slate, Harvard Review, Kenyon Review, and New Republic, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the graduate creative writing program at the University of Minnesota. More information and events at www.petercampion.net.