The Literary Afterlife of Raymond Carver examines the cultural legacy of one of America's most renowned short story writers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jonathan Pountney is an Independent Scholar, specialising in American fiction and political and economic cultures in the neoliberal era. He has a PhD in English and American Studies from the University of Manchester, and has held teaching positions at both the University of Manchester and Lancaster University. He is an Editorial Board Member of The Raymond Carver Review, published journalism for the Financial Times and has worked as a Publishing Manager for a number of small UK presses.
Inhaltsangabe
Introduction: Authenticity, Craftsmanship and Neoliberalism in Raymond Carver's Fiction 1. 'Bad Raymond': Alcoholism, Education and Masculinity in Chuck Kinder's Honeymooners 2. 'Carveresque Realism': Raymond Carver and Jay McInerney 3. 'The Transpacific Partnership': Raymond Carver and Haruki Murakami 4. 'Why Raymond Carver?': The Equivocal Carver in Alejandro G. Iñárritu's Birdman Conclusion: Willy Vlautin and Diminished Class Consciousness Bibliography Index.
Introduction: Authenticity, Craftsmanship and Neoliberalism in Raymond Carver's Fiction 1. 'Bad Raymond': Alcoholism, Education and Masculinity in Chuck Kinder's Honeymooners 2. 'Carveresque Realism': Raymond Carver and Jay McInerney 3. 'The Transpacific Partnership': Raymond Carver and Haruki Murakami 4. 'Why Raymond Carver?': The Equivocal Carver in Alejandro G. Iñárritu's Birdman Conclusion: Willy Vlautin and Diminished Class Consciousness Bibliography Index.
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