Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau,…mehr
Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau, and consideration of the 20th century film adaptations of the works.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Abigail Burnham Bloom has written several books and many articles on Victorian writers, including the Carlyles and the Brontes. She lives in Southampton, New York.
Inhaltsangabe
Table of Contents Preface Introduction 1 CREATOR AND MONSTER Frankenstein, by Mary Shelley (1818) Frankenstein, dir. James Whale (1931) Mary Shelley's Frankenstein, dir. Kenneth Branagh (1994) 2 THE DUALITY OF GOOD AND EVIL Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson (1886) Dr. Jekyll and Mr. Hyde, dir. John S. Robertson (1920) Dr. Jekyll and Mr. Hyde, dir. Rouben Mamoulian (1931) Dr. Jekyll and Mr. Hyde, dir. Victor Fleming (1941) 3 BEAUTY AND ETERNAL LIFE She, by H. Rider Haggard (1887) She, dir. Lansing C. Holden and Irving Pichel (1935) She, dir. Robert Day (1965) 4 MAN AND ANIMAL The Island of Dr. Moreau, by H. G. Wells (1896) Island of Lost Souls, dir. Erle C. Kenton (1933) The Island of Dr. Moreau, dir. Don Taylor (1977) The Island of Dr. Moreau, dir. John Frankenheimer (1996) 5 VAMPIRE AND VICTIM Dracula, by Bram Stoker (1897) Nosferatu, dir. F. W. Murnau (1922) Dracula, dir. Tod Browning (1931) Bram Stoker's Dracula, dir. Francis Ford Coppola (1992) Conclusion Notes Bibliography Index
Table of Contents Preface Introduction 1 CREATOR AND MONSTER Frankenstein, by Mary Shelley (1818) Frankenstein, dir. James Whale (1931) Mary Shelley's Frankenstein, dir. Kenneth Branagh (1994) 2 THE DUALITY OF GOOD AND EVIL Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson (1886) Dr. Jekyll and Mr. Hyde, dir. John S. Robertson (1920) Dr. Jekyll and Mr. Hyde, dir. Rouben Mamoulian (1931) Dr. Jekyll and Mr. Hyde, dir. Victor Fleming (1941) 3 BEAUTY AND ETERNAL LIFE She, by H. Rider Haggard (1887) She, dir. Lansing C. Holden and Irving Pichel (1935) She, dir. Robert Day (1965) 4 MAN AND ANIMAL The Island of Dr. Moreau, by H. G. Wells (1896) Island of Lost Souls, dir. Erle C. Kenton (1933) The Island of Dr. Moreau, dir. Don Taylor (1977) The Island of Dr. Moreau, dir. John Frankenheimer (1996) 5 VAMPIRE AND VICTIM Dracula, by Bram Stoker (1897) Nosferatu, dir. F. W. Murnau (1922) Dracula, dir. Tod Browning (1931) Bram Stoker's Dracula, dir. Francis Ford Coppola (1992) Conclusion Notes Bibliography Index
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