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Pity represents a combination of fear, helplessness and overwhelming agitation. It is a term which suffuses our everyday lives, it is also a dangerous term hovering between approval of sympathy and disapproval of emotional wallowing (as in 'self-pity'). This book traces an entire history of pity, as an emotion and as an element in the arts.
Traces the meanings and inflections of the term 'pity' as it has run through Western culture to the present day Although 'pity' is a term we use all the time, it has not been dealt with in a transhistorical literary context before. Sharply
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Produktbeschreibung
Pity represents a combination of fear, helplessness and overwhelming agitation. It is a term which suffuses our everyday lives, it is also a dangerous term hovering between approval of sympathy and disapproval of emotional wallowing (as in 'self-pity'). This book traces an entire history of pity, as an emotion and as an element in the arts.
Traces the meanings and inflections of the term 'pity' as it has run through Western culture to the present day Although 'pity' is a term we use all the time, it has not been dealt with in a transhistorical literary context before. Sharply distinguishable from such apparently similar terms as 'compassion' and 'sympathy', it is a peculiarly apposite term for contemporary investigation, living as we do in a world where pity is both widely required and simultaneously condemned as a kind of self-indulgence. Major writers addressed in the book include Aristotle, Shakespeare, Fielding, Blake, Austen, Chekhov, Brecht, Wilfred Owen, David Jones, Primo Levi, Jean Rhys, Stevie Smith, Derek Walcott and Bob Dylan. David Punter is Professor of English at the University of Bristol. His most recent publications include Metaphor (2007); Modernity (2007); Rapture: Literature, Addiction, Secrecy (2009); and A New Companion to the Gothic (ed., 2012). He has also published five volumes of poetry. Cover image: Pietà, Michelangelo, 1498-1499 Cover design: [EUP logo] www.euppublishing.com
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Autorenporträt
David Punter, having worked at universities in England, Scotland, Hong Kong and China, is now Professor of English at the University of Bristol. He has published over twenty monographs and edited collections in the Gothic, romantic writing, modern and contemporary writing, and literary theory. His most recent publications include Writing the Passions (2000); Postcolonial Imaginings: Fictions of a New World Order (2000); Metaphor (2007); Modernity (2007); Rapture: Literature, Addiction, Secrecy (2009); and A New Companion to the Gothic, (ed., 2012). He has also published five volumes of poetry.