Uncovers the tangled stories of censorship and literature in apartheid South Africa, drawing on a wealth of new evidence from censorship archives, archives of resistance publishers and writers' groups, and oral testimony. A unique perspective on one of the most repressive, anachronistic, and racist states in the post-war era.
Uncovers the tangled stories of censorship and literature in apartheid South Africa, drawing on a wealth of new evidence from censorship archives, archives of resistance publishers and writers' groups, and oral testimony. A unique perspective on one of the most repressive, anachronistic, and racist states in the post-war era.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
* Preface * Note to the Reader * Part I: Creating Spaces/Guarding Borders * 1: Censors * 2: Publishers * 3: Writers * Part II: Singular Situations/Disruptive Moments * 1: Nadine Gordimer and the Strength of African Fiction * 2: Afrikan versus Volks Humanism: Es'kia Mphahlele's Worldly Music and the Transcendent Space of Culture * 3: Connected versus Internal Critics: Breytenbach, Leroux and the Volk Avant Garde * 4: BLAC Books, Black (Anti-)Poetics * 5: J. M. Coetzee: The Provincial Storyteller * 6: Protest and Beyond: Third-World People's Stories in the Staffrider Series * Postscript * Acknowledgements * Chronology * Bibliography
* Preface * Note to the Reader * Part I: Creating Spaces/Guarding Borders * 1: Censors * 2: Publishers * 3: Writers * Part II: Singular Situations/Disruptive Moments * 1: Nadine Gordimer and the Strength of African Fiction * 2: Afrikan versus Volks Humanism: Es'kia Mphahlele's Worldly Music and the Transcendent Space of Culture * 3: Connected versus Internal Critics: Breytenbach, Leroux and the Volk Avant Garde * 4: BLAC Books, Black (Anti-)Poetics * 5: J. M. Coetzee: The Provincial Storyteller * 6: Protest and Beyond: Third-World People's Stories in the Staffrider Series * Postscript * Acknowledgements * Chronology * Bibliography
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